Directed by
Bill Condon |
Writing Credits
Melissa Rosenberg | .. | (screenplay) |
Stephenie Meyer | .. | (novel) |
Cast (in credits order) complete, awaiting verification
Taylor Lautner | .. | Jacob Black | |
Gil Birmingham | .. | Billy | |
Billy Burke | .. | Charlie Swan | |
Sarah Clarke | .. | Renee | |
Ty Olsson | .. | Phil | |
Kristen Stewart | .. | Bella Swan | |
Ashley Greene | .. | Alice Cullen | |
Jackson Rathbone | .. | Jasper Hale | |
Peter Facinelli | .. | Dr. Carlisle Cullen | |
Elizabeth Reaser | .. | Esme Cullen | |
Kellan Lutz | .. | Emmett Cullen | |
Nikki Reed | .. | Rosalie Hale | |
Robert Pattinson | .. | Edward Cullen | |
Christian Sloan | .. | Unsavory Man | |
James Pizzinato | .. | Unsavory Man | |
Ian Harmon | .. | Unsavory Man | |
Gabriel Carter | .. | Unsavory Man | |
Anna Kendrick | .. | Jessica | |
Christian Serratos | .. | Angela | |
Justin Chon | .. | Eric | |
Michael Welch | .. | Mike | |
Michael Sheen | .. | Aro | |
Christopher Heyerdahl | .. | Marcus | |
Jamie Campbell Bower | .. | Caius | |
Christian Camargo | .. | Eleazar Denali | |
Mía Maestro | .. | Carmen Denali | |
Maggie Grace | .. | Irina Denali | |
MyAnna Buring | .. | Tanya Denali | |
Casey LaBow | .. | Kate Denali | |
Angelo Renai | .. | Minister Weber | |
Booboo Stewart | .. | Seth | |
Alex Rice | .. | Sue Clearwater | |
Paul Becker | .. | Dancer | |
Stephanie Moseley | .. | Dancer | |
Kiowa Gordon | .. | Embry | |
Tyson Houseman | .. | Quil | |
Chaske Spencer | .. | Sam Uley | |
Bronson Pelletier | .. | Jared | |
Alex Meraz | .. | Paul | |
Julia Jones | .. | Leah | |
Tinsel Korey | .. | Emily | |
Tanaya Beatty | .. | Rachel | |
Sienna Joseph | .. | Claire | |
Carolina Virguez | .. | Kaure | |
Sebastião Lemos | .. | Gustavo | |
Kimani Ray Smith | .. | Near-Miss Husband | |
Tora Hylands | .. | Near-Miss Wife | |
Mackenzie Foy | .. | Renesmee | |
Ali Faulkner | .. | Bianca | |
Charlie Bewley | .. | Demetri | |
Daniel Cudmore | .. | Felix | |
Rest of cast listed alphabetically: | |||
Christie Burke | .. | Teenage Renesmee (uncredited) | |
Jordon Michael Corbin | .. | Volturi Victim (uncredited) | |
Kasey Emas | .. | Volturi Victim (uncredited) | |
Edi Gathegi | .. | Laurent (archive footage) (uncredited) | |
Stephenie Meyer | .. | Wedding Guest (uncredited) | |
Lauren Michele | .. | Socialite (uncredited) |
Produced by
Roberto Bakker | .. | associate producer: Zonar, Brazil |
Bill Bannerman | .. | co-producer |
Marty Bowen | .. | executive producer |
Wyck Godfrey | .. | producer |
Barbara Kelly | .. | associate producer |
Stephenie Meyer | .. | producer |
Greg Mooradian | .. | executive producer |
Mark Morgan | .. | executive producer |
Guy Oseary | .. | executive producer |
Carlos Paiva | .. | producer: Zonar MD, Brazil |
Karen Rosenfelt | .. | producer |
Isabelle Tanugi | .. | producer: Zonar, Brazil |
Music by
Carter Burwell |
Cinematography by
Guillermo Navarro | .. | director of photography |
Film Editing by
Virginia Katz |
Casting By
Debra Zane |
Production Design by
Richard Sherman |
Art Direction by
Daniel Flaksman | ||
Lorin Flemming | ||
Nate Fredenburg | ||
Troy Sizemore | .. | supervising art director |
Set Decoration by
David Schlesinger |
Costume Design by
Michael Wilkinson |
Makeup Department
Denise Adams | .. | contact lens technician |
Jean Ann Black | .. | makeup department head (as Jean Black) |
Erica Brunson | .. | additional makeup artist |
Samantha M. Capps | .. | makeup artist |
Bonnie Clevering | .. | hair stylist: Ms. Stewart |
Daina Daigle | .. | hair stylist |
Beatrice De Alba | .. | hair department head (as Beatrice DeAlba) |
Richard De Alba | .. | hair stylist (as Richard DeAlba) |
Karola Dirnberger | .. | hair colourist / wig colorist |
Margeaux Fox | .. | hair stylist |
Ebraham Francis | .. | contact lens technician: second unit Vancouver |
Susan Germaine | .. | key hair stylist: Vancouver |
Christina Gonzalez | .. | contact lens technician |
Allison Gordin | .. | assistant makeup artist |
Lisa Hazell | .. | hair stylist |
Stacey Herbert | .. | makeup artist |
Daniel Jouet | .. | additional makeup artist |
Rolf John Keppler | .. | key makeup artist (as Rolf Keppler) |
Krystal Kershaw | .. | makeup artist |
Bob Kretschmer | .. | wigmaker |
Erica Kyker | .. | makeup artist (as Erica Dewey) |
Jack Lazzaro | .. | makeup artist |
Courtney Lether | .. | additional makeup artist |
Karen Lovell | .. | hair stylist |
Darryl Lucas | .. | makeup artist |
Aimee Macabeo | .. | special makeup effects artist |
Patricia McAlhany Glasser | .. | wig maintenance (as Patricia Glasser) |
Amanda McGowan | .. | key makeup artist: second unit Vancouver |
Sara Michael | .. | makeup artist |
Clariss Morgan | .. | hair stylist |
Chrissy Morris | .. | key makeup: second unit |
Angela Nair | .. | assistant makeup artist |
Jessica Nelson | .. | contact lens technician |
Stacey Panepinto | .. | makeup artist: Ms. Stewart |
Rita Parillo | .. | assistant hair department head |
Cristina Patterson | .. | contact lens designer/coordinator (as Christina Patterson) |
Burgundy Pons | .. | contact lens technician |
Paige Reeves | .. | makeup artist |
Kellie Robinson | .. | makeup artist |
Lesley Rodriguez | .. | makeup artist |
Jami Ross | .. | makeup artist |
Forest Sala | .. | hair department head: Canada |
Remi Savva | .. | makeup artist |
Monty Schuth | .. | wig maintenance |
Adina Shore | .. | first assistant hairstylist |
Andrea Simpson | .. | key hair stylist: second unit Vancouver |
Brian Sipe | .. | specialty makeup artist: Kristen Stewart |
Gianna Sparacino | .. | hair stylist |
Sarah Bergeest Still | .. | makeup artist (as Sarah Bergeest) |
Vicki Syskakis | .. | first assistant makeup artist |
Emily Tatum | .. | makeup artist |
Arjen Tuiten | .. | special makeup effects artist: Kristen Stewart |
Fay von Schroeder | .. | department head makeup - canada |
Melizah Anguiano Wheat | .. | hair stylist (as Melizah Schmidt) |
Beka Wilson | .. | hair stylist (as Bekka Wilson) |
Production Management
Valeria Costa Amorim | .. | production manager: Brasil |
Shawn Boyachek | .. | 2nd unit production supervisor / second unit production supervisor |
Mary Guilfoyle | .. | production manager: second unit, Canada |
Sara Irvine-Erickson | .. | unit manager (as Sara Irvine) |
Andrea Isaacs | .. | executive in charge of production |
Barbara Kelly | .. | unit production manager: Canada |
Andrew G. La Marca | .. | production manager: Brazil |
Colleen Mitchell | .. | production manager: second unit, Canada |
Irina Neves | .. | assistant production manager |
David Price | .. | assistant production manager |
Angela Quiles | .. | production supervisor: Baton Rouge |
Andrea Wertheim | .. | post-production supervisor |
Bryan Yaconelli | .. | production supervisor: Brazil |
Second Unit Director or Assistant Director
Bill Bannerman | .. | aerial unit director: Brazil/Canada |
Karin Behrenz | .. | third assistant director |
Josy Capkun | .. | second assistant director |
Gabriel Correa | .. | third assistant director |
Charles Crossin | .. | second assistant director |
Jordan Edwards | .. | assistant director |
E.J. Foerster | .. | second unit director |
Scott Kukurudz | .. | trainee assistant director: second unit |
Steve Lonano | .. | second second assistant director |
Bryant Marshall | .. | third assistant director |
John M. Morse | .. | second assistant director |
Justin Muller | .. | first assistant director |
Cali Pomes | .. | second second assistant director |
Ann C. Salzer | .. | first assistant director: second unit |
Ted Voorhies | .. | production assistant |
Greg Zenon | .. | first assistant director: second unit |
Dawn Charette | .. | trainee assistant director (uncredited) |
Art Department
Alexandra Adduci | .. | sculptor |
A. Russell Amdal | .. | foreman |
Michael Arena | .. | greens gang boss |
Aimee Athnos | .. | set decoration coordinator |
Sean Blackie | .. | assistant set decorator |
Janice Blackie-Goodine | .. | set decorator: Canada |
David Keith Broome | .. | lead greensman |
Kenneth Brown | .. | sculptor |
Shane Buckallew | .. | lead plasterer |
Ed Burcham | .. | set dresser (as Eddie Burcham) |
New York Carmona | .. | custom props |
Cassie Catalanotto | .. | set dresser |
John Chaschowy | .. | second unit on-set greens |
John B. Clarey III | .. | general foreman |
Randall S. Coe | .. | construction coordinator |
Iggie Colomer | .. | set dresser |
Delaney Davis | .. | art department assistant |
Bruno De Laurentis | .. | graphic designer |
Carl Denooyer | .. | gang boss: set dressing |
Byron Denson | .. | labor foreman |
Ken Deubel III | .. | paint foreman |
Abigail Drury | .. | stand-by painter |
James Dupuy | .. | general foreman |
Stephen P. Durante | .. | set dresser |
Jaime Fernandez | .. | on set dresser |
Matthew Gatlin | .. | property master: second unit / set designer |
John Gorman | .. | second unit assistant prop master |
Luiza Hakme | .. | props assistant |
Anthony J. Henderson | .. | illustrator |
Sam Jacobs | .. | second assistant props |
Zoe Jirik | .. | set decoration buyer: Canada |
Carl Johansen | .. | greensman |
Jerod Johnson | .. | painter |
Thomas V. Johnson | .. | lead scenic |
Jaclyn Kenney | .. | art department coordinator |
Ty Landry | .. | set dresser |
Leo Lauricella | .. | foreman |
Stacy Lauricella | .. | construction office assistant |
Blake Le Vasseur | .. | lead sculptor |
K. Emily Levine | .. | art department coordinator |
Ken Lewis Jr. | .. | plaster gangboss |
Lindanne Lewis | .. | painter |
Jerad Marantz | .. | concept artist |
Michelle Marchand II | .. | assistant set decorator |
Steve Martemucci | .. | gangboss |
Robert McKinnon | .. | conceptual artist |
Molly Mikula | .. | assistant art director |
Sheila Millar | .. | set designer |
Steve Miller | .. | lead dresser |
Scotty Morris | .. | set dresser |
Rick Newsome | .. | storyboard artist |
Michael O'Sullivan | .. | set dresser |
Slaid Parker | .. | set dresser |
Derek Pineo | .. | props buyer |
Tammy Polatsek | .. | flower stylist |
Citlali Quintana | .. | art department production assistant |
Roberta Raposo | .. | art coordinator |
Steffen Reichstadt | .. | concept artist |
Megz Reynolds | .. | set dresser |
Janna Roach | .. | assistant property master |
Clara Rocha | .. | set dresser |
Monica Rochlin | .. | set dresser |
Michael Sabo | .. | property master |
George Sanchez | .. | plasterer |
Carlos Savant | .. | sculptor |
Aaron Sims | .. | concept artist |
Tyler Smith | .. | property master: second unit |
Alexander 'Sasha' Stolin | .. | illustrator (as Alexander Stolin) |
James Summers | .. | head greensman |
Nevin Swain | .. | property master |
Jason Sweers | .. | graphic designer |
Courtney Talbot | .. | set designer |
Gary Damian Thomas | .. | storyboard artist (as Gary Thomas) |
Darryl Tifenbach | .. | paint lead |
Brendan Turrill | .. | assistant art director |
Trinh Vu | .. | set designer |
Joel Watts Jr. | .. | painter |
Richard Blake Wester | .. | leadman |
David O. Whatley | .. | sculptor (as Dave Whatley) |
Chris M. Wilson | .. | propmaker |
Tom R. Wilson | .. | carpenter / prop maker |
Sonia Zimmerman | .. | props |
Ralph Chabaud | .. | illustrator (uncredited) |
Melisa Coby | .. | scenic artist (uncredited) |
Macleod Sinclaire | .. | on set dresser (uncredited) |
Sound Department
Steve C. Aaron | .. | production sound mixer |
Christopher Alba | .. | supervising foley editor |
Darren Brisker | .. | additional production sound mixer |
Dane A. Davis | .. | sound designer / supervising sound editor |
Ryan Farris | .. | boom operator |
Stephanie Flack | .. | dialogue editor |
Nerses Gezalyan | .. | additional sound mixer |
Gary A. Hecker | .. | supervising foley artist |
Mike Hibberson | .. | boom operator |
James Hyde | .. | adr recordist |
Matthew W. Kielkopf | .. | first assistant sound editor |
Tony Lamberti | .. | re-recording mixer |
Kevin Meier | .. | boom operator: second unit |
Michael Minkler | .. | re-recording mixer |
Chris Navarro | .. | adr mixer |
Whit Norris | .. | production sound mixer: U.S. Virgin Islands unit |
Kevin J. Summers | .. | boom operator: U.S. Virgin Islands unit |
Greg Townsend | .. | assistant re-recording mixer |
Robert Ulrich | .. | supervising adr & dialogue editor |
Jared Watt | .. | sound utility |
David A. Whittaker | .. | sound effects editor |
Ryan Young | .. | adr mixer (as Ryan D. Young) |
Special Effects by
Alex Burdett | .. | special effects supervisor |
Ana Carvalho | .. | special effects coordinator: Brazil |
William Catania | .. | rigging foreman |
Lela Checco | .. | special effects |
Diana Choi | .. | special effects makeup (as Diana Yun Soo Yoo) |
Michelle Deville | .. | fabrication department: Legacy Effects |
Sergio Farjalla Jr. | .. | special effects supervisor: Brazil |
Damian Fisher | .. | mold shop supervisor |
Skylar Gorrell | .. | special effects technician |
Jared Guenther | .. | special effects technician |
Heath Hood | .. | special effects on-set foreman |
Mike Hyrman | .. | special effects technician |
Jeremy Johnson | .. | special effects technician |
Walter Kiesling | .. | rigging forman |
Aimee Macabeo | .. | special effects makeup |
Lindsay MacGowan | .. | studio coordinator: Legacy Effects |
Shane Mahan | .. | studio coordinator: Legacy Effects |
Cristen Martemucci | .. | special effects technician |
Jason Matthews | .. | artist/puppeteer: Legacy Effects |
Heidi Mistic | .. | mold/technical department |
Michael O'Brien | .. | key artist: Legacy Effects |
David A. Poole | .. | special effects coordinator / special effects supervisor |
Jacob Roanhaus | .. | lab technician: Legacy Effects |
John Rosengrant | .. | animatronic and special makeup effects supervisor |
Alan Scott | .. | studio coordinator: Legacy Effects |
Russell L. Smith | .. | special effects technician |
Mike Splatt | .. | second unit coordinator |
Adam Tayler | .. | special effects best boy |
Jeffrey Scott Thomas | .. | special effects technician |
Richard Terry Tjelmeland | .. | special effects foreman |
Rebecca Walker | .. | special effects technician |
Patrick Edward White | .. | special effects technician |
Brad Zehr | .. | effects best boy: second unit |
Michel Martins Zigaib | .. | special effects |
Cole Taylor | .. | legacy effects coordinator (uncredited) |
Michael Watson | .. | special photographic effects: Faction Creative (uncredited) |
Visual Effects by
Samuel Accardo | .. | visual effects |
Neishaw Ali | .. | visual effects executive producer |
Casey Allen | .. | senior flame artist |
Peter Allendale | .. | compositor: Comen VFX |
Jordan Alphonso | .. | digital artist |
Holli Alvarado | .. | flame artist |
Adrienne Anderson | .. | digital production manager: Tippett Studio |
Mathieu Archambault | .. | digital compositor |
Spencer Armajo | .. | Flame artist |
Kenneth Armstrong | .. | compositor: Comen VFX |
Jean Arousi | .. | production assistant: Modus FX |
Jim Aupperle | .. | lighting technical director |
Marie-Ève Authier | .. | digital compositor: Modus FX |
Nicholas Avallone | .. | animator |
Patrice Avery | .. | previs producer: HALON |
Natalie Baillie | .. | digital compositor (as Natalie Nolan) |
Pharoah Barrett | .. | 3D artist: Digiscope |
Dan Bartolucci | .. | flame artist: Lola VFX |
Sophie Beck | .. | tracking: Modus FX |
Barb Benoit | .. | digital compositor |
Mathieu Bertrand | .. | lead look development: Modus FX |
Zena Bielewicz | .. | digital compositor |
Patrick Bissonnette | .. | vfx financial controller: Modus FX |
Bruno Blain | .. | lead td rigging: Modus FX |
Vincent Blin | .. | flame artist |
Tim Bobyk | .. | motion capture technical director: Animatrik Film Design |
Jonathan Boisvert | .. | technical support: Modus FX |
Lisa Bolan | .. | lead visual effects designer: Prologue Films |
Jason Bond | .. | rotoscope artist: Comen VFX |
Kristen Borges | .. | texture painter: Tippett Studio |
Guy Botham | .. | visual effects executive producer: Lola Visual Effects |
Marc Bourbonnais | .. | vfx executive producer: Modus FX |
Aharon Bourland | .. | cg supervisor: Tippett Studio |
Peter Bowmar | .. | head of technology: Method Studios Vancouver |
Nadège Bozzetti | .. | lead td lighting: Modus FX |
Neal Bradshaw | .. | 3d scan technician: Gentle Giant Studios |
Robert Branam | .. | witness camera operator |
Devin Breese | .. | matchmove lead / vfx on set reference supervisor |
Hans Brekke | .. | lead animator: Tippett Studio |
Kirk Brillon | .. | compositing sequence supervisor: SPIN VFX |
A.J. Briones | .. | previsualization supervisor |
Aaron Brown | .. | compositing supervisor: Method Studios Vancouver |
John Bruno | .. | visual effects supervisor |
Shauna Bryan | .. | visual effects executive producer: Method Studios Vancouver |
Sabrina Bucci | .. | data wrangler: Modus FX |
Karen Bushnell | .. | visual effects |
Xavier Callamand | .. | stage manager: Animatrik Film Design |
Heather Behl Cameron | .. | rotoscope and matchmove coordinator |
Wilson Cameron | .. | visual effects producer: Mr. X Inc. |
Howard R. Campbell | .. | lead lighting |
Jeff Campbell | .. | visual effects supervisor: SPIN VFX |
Rachael G Campbell | .. | visual effects artist |
Michael Caplan | .. | visual effects supervisor |
Tim Carras | .. | visual effects supervisor: Comen VFX |
Michael Cavanaugh | .. | visual effects editor: Tippett Studio |
Andy Chan | .. | visual effects compositor: Mr. X Inc. |
Chun-Ping Chao | .. | digital compositor |
Alexis Chapman | .. | rotoscope lead: Method Studios Vancouver |
Fred Chapman | .. | rigging supervisor: Image Engine |
Catherine Chase | .. | visual effects editor |
Freddy Chavez Olmos | .. | visual effects compositor |
Daniel Chavez | .. | visual effects producer: Hydraulx |
David Chen | .. | digital compositor: Method Studios Vancouver |
Jeremy Cho | .. | digital paint & roto artist |
YouJin Choung | .. | compositor: Tippett Studio |
Patrick Clancey | .. | digital opticals |
Trent Claus | .. | flame artist |
Dug Claxton | .. | digital compositor |
Nicolas Cloutier | .. | lead concept & matte painting: Modus FX |
Valérie Clément | .. | vfx sales & marketing: Modus FX |
Joshua D. Comen | .. | visual effects producer: Comen VFX |
Natalie Conliffe | .. | visual effects artist |
Eric Covello | .. | digital compositor |
Brandon Criswell | .. | lead compositor: Comen VFX |
Jonathan Cronk | .. | assistant vfx coordinator: Comen VFX |
Brian Cuartero | .. | compositor: Comen VFX |
Jacinthe Côté | .. | vfx production manager: Modus FX (as Jacynthe Côté) |
Michael Côté | .. | technical support: Modus FX (as Michaël Côté) |
Rif Dagher | .. | CG supervisor |
David Dang | .. | roto artist: Comen VFX |
Sanjay Das | .. | chief technology officer |
Amy Daye | .. | digital compositor: SPIN VFX |
Dean Deakyne | .. | visual effects artist: Digiscope |
Justin Denton | .. | previs artist |
Chris Derochie | .. | senior animator |
Philippe Desiront | .. | digital compositor: Modus FX |
Anouk Deveault-Moreau | .. | VFX Producer: Modus FX |
Gabriel J. Diaz | .. | lead visual effects editor: Prologue Films |
Natalia Diaz | .. | digital compositor |
Victor DiMichina | .. | production supervisor: Pixel Magic |
Gus Dizon | .. | lead digital painter |
Thai Son Doan | .. | digital compositor |
Eric Doiron | .. | compositing supervisor: Spin VFX |
Becca Donohoe | .. | visual effects coordinator |
Anand Dorairaj | .. | digital compositor |
Jason Dowdeswell | .. | head of studio: Image Engine |
Nadav Ehrlich | .. | visual effects supervisor: Soho VFX |
Nicholas Elwell | .. | associate vfx producer: Hydraulx |
Nathan Englbrecht | .. | lighting technical director |
Andrea Espinal | .. | digital compositor: Modus FX |
Patrick Esposito | .. | visual effects executive: Prologue |
Maggie Evans | .. | senior producer: method studios |
David Fix | .. | senior systems administrator: Mr. X Inc. |
Adam Folse | .. | visual effects artist |
Q Fortier | .. | head of technology |
Jean-Sébastien Fortin | .. | digital compositor: Modus FX |
Nicolas Fourcroy | .. | data wrangler: Modus FX |
Page Frakes | .. | color pipeline supervisor: Tippett Studio |
Adam Francis | .. | motion control technician |
Fortunato Frattasio | .. | visual effects artist: Digiscope |
Michael Frattasio | .. | paint & roto artist: Digiscope |
Alan Fregtman | .. | rigger: Modus FX |
Miles Friedman | .. | visual effects coordinator: Lola VFX |
Nicolas Gaffiero | .. | Modeler: Modus FX |
Jason Gandhi | .. | r&d |
Andrew Gardner | .. | research and development |
Demitre Garza | .. | flame artist |
Dominic Gaudreau | .. | director of technology: Modus FX |
Neil Greenberg | .. | visual effects editor |
Robin Griffin | .. | visual effects producer |
William Groebe | .. | storyboard artist (as William Elder-Groebe) |
Raoul Grosser | .. | visual effects artist |
Miguel A. Guerrero | .. | modeling supervisor: Hydraulx |
Robin Hackl | .. | visual effects supervisor |
Lee Hahn | .. | digital production manager |
Chris Halstead | .. | digital compositor: Tippett Studio |
Matt Hansen | .. | visual effects artist |
Rachel Faith Hanson | .. | visual effects coordinator |
Trey Harrell | .. | lighting supervisor: Mr. X |
Peter Hart | .. | matchmove lead: Method Studios Vancouver |
Andy Hass | .. | animator: Tippett Studio |
Adam Hazard | .. | digital compositor: Tippett Studio |
Oliver Hearsey | .. | tracking supervisor: Mr. X Inc. |
Jason Heinze | .. | digital compositor |
Erica Henderson | .. | digital compositor: Method Studios Vancouver |
Irit Hod | .. | senior lighting technical director: Spin VFX |
Amanda Hollingworth | .. | digital compositor |
Justin Holt | .. | senior texture painter: Image Engine |
Nathan Hopkins | .. | previs artist |
Adam Howard | .. | visual effects supervisor |
Bryan Howard | .. | rigger: Soho VFX |
Don Howe | .. | manager: Tippett Studio |
Colin Hui | .. | visual effects artist: SPIN VFX |
Vivien Hulbert | .. | visual effects coordinator: Image Engine |
Ivan Imanishi | .. | research & development: Image Engine |
Chris Ingersoll | .. | digital compositor |
Amanda Instone | .. | visual effects artist |
Mark Intravartolo | .. | visual effects artist |
Elbert Irving IV | .. | visual effects coordinator: Wildfire VFX |
Tracy Nicole Irwin | .. | visual effects artist |
Imraan Ismail | .. | on-set data wrangler |
Stephen James | .. | digital compositor: Method Studios Vancouver |
Robbie Janda | .. | visual effects coordinator |
Daniel Jauregui | .. | visual effects artist |
Zahid Jiwa | .. | lead rotoscope artist: Method Studios Vancouver |
Julie Joannoteguy | .. | texture artist: Modus FX |
Jeremy Johnson | .. | digital compositor |
Kirk Jung | .. | on-set survey/matchmove: Tippett Studio (as Kirk Larkins) |
Dana Jurcic | .. | visual effects coordinator: Image Engine Design |
Bora Jurisic | .. | visual effects artist |
Mark Justison | .. | compositor: Comen VFX |
Jin Yong Kim | .. | matchmove artist: Tippett Studio |
SeungJang 'Jack' Kim | .. | modeling supervisor |
Sylvia Kim | .. | vfx coordinator: Comen VFX |
Daniel Klöhn | .. | visual effects artist: Prologue Films |
Ken Kokka | .. | visual effects producer: Tippett Studio |
Athena Kouverianos | .. | production manager: Soho VFX |
Jason Kozsurek | .. | digital compositor |
Katya Krotenko | .. | digital compositor: Image Engine |
David Labrecque | .. | data wrangler: Modus FX |
Louis Laflamme-Fillion | .. | production assistant: Modus FX |
Jeremy Lambolez | .. | animator: Modus FX |
Wendy Lanning | .. | visual effects producer: Image Engine Design |
Francis Larouche | .. | digital compositor: Modus FX |
Miles Lauridsen | .. | compositing supervisor: Prologue |
Jongju Lee | .. | 3D animator: Spin VFX |
Kate Lee | .. | matchmove artist: Method Studios Vancouver |
Marco Lee | .. | digital compositor |
Woei Lee | .. | digital compositor: Tippett Studio |
Woohyuck Eric Lee | .. | modeler: Mr. X |
Eric Leven | .. | visual effects supervisor: Tippett Studio |
Dave Levine | .. | flame artist: Lola VFX |
Joe Lewis | .. | motion control |
Samuel Loriault-Goulet | .. | data wrangler: Modus FX |
Daniel Lu | .. | lead modeller/rigger: Soho VFX |
Kodie Mackenzie | .. | digital compositor: Method Studios Vancouver |
Chris MacLean | .. | modeling and texturing lead: Mr. X |
Alastair Macleod | .. | animator |
Jonathan MacPherson | .. | senior data wrangler |
George Macri | .. | visual effects producer: SPIN VFX |
Allan Magled | .. | visual effects supervisor: Soho VFX |
Philippe Majdalani | .. | digital intermediate assistant producer |
John Mann | .. | storyboard artist / storyboards |
Paul Maples | .. | motion control operator |
Eric Marko | .. | location matchmove supervisor: Tippett Studio |
Greg Massie | .. | effects animator |
Jim Maxwell | .. | matte painting supervisor |
Corey Mayne | .. | digital compositor |
Matt Mcewan | .. | digital compositor |
Tom McHattie | .. | digital compositor: Method Studios Vancouver |
Mare McIntosh | .. | cgi coordinator: Hydraulx VFX |
Ray McIntyre Jr. | .. | visual effects supervisor: Pixel Magic |
Claire McLachlan | .. | data wrangler |
Scott McLain | .. | flame/inferno artist |
Liz McLelland | .. | roto artist: Comen VFX |
Steve McLeod | .. | visual effects editor: Method Studios Vancouver |
Jim McVay | .. | visual effects artist |
Philip Melancon | .. | animator: Modus FX |
Douglas Melville | .. | visual effects production manager: SPIN VFX |
David Michaels | .. | character technical director |
Scott Michelson | .. | visual effects executive producer |
Brad Minnich | .. | visual effects editor |
Ronald B. Moore | .. | visual effects coordinator |
Ian Morehead | .. | visual effects editor |
Christian Morin | .. | digital compositor |
Stephen Moros | .. | matchmove/layout |
Henrique Moser | .. | roto and paint lead: Image Engine |
Grant Moyer | .. | visual effects artist |
Brad Moylan | .. | lead compositor: Pixel Magic |
Christopher Mullins | .. | animator: Tippett |
Suzanne Murarik | .. | visual effects coordinator |
Ross Nakamura | .. | digital compositor: Tippett Studio |
Bruce Nicholson | .. | digital compositor |
Ken Nielsen | .. | digital compositor |
Thomas Nittmann | .. | visual effects producer: Lola Visual Effects |
Kelly Noordermeer | .. | visual effects editorial assistant: Mr. X Inc |
Roula O'Regan | .. | pipeline technical director: Method Studios Vancouver |
Dave Olivares | .. | visual effects technical director |
Robert Olsson | .. | digital matte painter |
Zai Ortiz | .. | CG supervisor: Prologue Films |
Richard Owen | .. | matchmove artist |
Caleb Owens | .. | digital compositor |
Chris Paizis | .. | matchmove supervisor: Tippett Studio |
Blaise Panfalone | .. | visual effects coordinator |
Nathaniel Park | .. | visual effects editor |
Clark Parkhurst | .. | flame artist |
Todd Patterson | .. | previz artist |
Todd Patteson | .. | previsualization artist |
Stephen J. Pavelski | .. | previs artist |
Chris Payne | .. | flame artist |
Aaron Peak | .. | scratch operator |
Martin Pelletier | .. | CG Supervisor: Modus FX |
Philippe Pelletier | .. | production assistant: Modus FX |
Chi Pham | .. | visual effects systems administrator |
Mathieu Phaneuf | .. | lead modeler: Modus FX |
Shaun Potts | .. | digital resource manager |
Mark Powers | .. | animator: Tippett Studio |
Akie Prapas | .. | lead tracking: Modus FX |
Brennan Prevatt | .. | visual effects |
Rob Price | .. | compositor: Comen VFX |
Sebastien Proulx | .. | digital compositor |
Jeanne-Élise Prévost | .. | VFX project manager: Modus FX |
Janet Quen | .. | visual effects artist: Digiscope |
Stevie Ramone | .. | digital compositor |
Satish Ratakonda | .. | digital compositor: Tippett Studio |
Cory Redmond | .. | lighting technical director |
Alejandro Restrepo | .. | data wrangler: Modus FX |
Carrie Richardson | .. | visual effects production manager: Spin Productions |
Stéphane Rioux | .. | digital compositor: Modus FX |
Lauren Ritchie | .. | visual effects producer: Wildfire VFX |
Ryan Robertson | .. | visual effects producer |
Pau Rocher | .. | digital compositor: Method Studios Vancouver |
Jules Roman | .. | president: Tippett Studio |
Niketa Roman | .. | visual effects production assistant |
Michael Roth | .. | visual effects production assistant |
Sean Rourke | .. | visual effects editor: Digiscope |
Craig Rowe | .. | digital compositor |
Maya Roza | .. | digital compositor (as Dorian Roza) |
Vishal Rustgi | .. | digital compositor |
Krystal Sae Eua | .. | model/texture artist: Hydraulx |
Diganta Saha | .. | systems administrator: Prologue Films |
Juwana Samman | .. | lighting technical director |
Julian Sarmiento | .. | head of CG |
Mag Sarnowska | .. | digital compositor |
Milan Schere | .. | matte painter: Mr. X Inc. |
Jordan Schilling | .. | compositor: Tippett Studio |
David Schnee | .. | compositing supervisor: Tippett Studio |
Alvaro Segura | .. | visual effects artist |
Richard Servello | .. | digital compositor |
Laura Sevilla | .. | compositor |
Joseph Shahood | .. | visual effects coordinator: Digiscope |
Ahmed Shehata | .. | cg supervisor: SPIN VFX |
Yuta Shimizu | .. | lighting lead |
Tim Sibley | .. | lead effects artist: SPIN VFX |
Aaron Sims | .. | concept artist |
Scott Singer | .. | visual effects |
Nitin Singh | .. | texture artist |
Nik Slotiuk | .. | fx technical director |
Andrew Smith | .. | visual effects editor: Image Engine |
Dane Allan Smith | .. | visual effects producer: Pixel Magic |
Rick Smith | .. | digital compositor: Soho VFX |
Gavin Soares | .. | animator / tracker |
Doug Spilatro | .. | visual effects artist |
Dottie Starling | .. | visual effects supervisor: Wildfire VFX |
Joe Statham | .. | production assistant/data wrangler |
Darryl Stawychny | .. | visual effects assistant |
Mark Stern | .. | visual effects production executive: Lola Visual Effects |
Mary Stuart | .. | visual effects producer (as Mary Stuart-Welch) |
David Sullivan | .. | roto/paint supervisor |
Tammy Sutton | .. | compositing supervisor: Pixel Magic |
Adam Swaab | .. | cg supervisor: Prologue / visual effects supervisor |
Sarah Swick | .. | visual effects producer: Soho VFX |
Aleksander Szkudlarek | .. | effects technical director |
Guillaume Terrien | .. | compositing supervisor: Modus FX |
Nick Tesi | .. | 3D Scanning Tech, Prod / 3d scanning technician |
Sky Tesi | .. | visual effects artist |
Alexandre Tessier | .. | lead texture: Modus FX |
Chonnanit Na Thalang | .. | compositor: Comen VFX |
Phil Tippett | .. | visual effects supervisor |
Jan Toensmann | .. | digital compositor |
Yimi Tong | .. | visual effects coordinator: Tippett Studio |
Nathalie Tremblay | .. | digital compositor: Modus FX |
Matthew Trivan | .. | visual effects artist |
Tom Truscott | .. | digital compositor |
Donald Tse | .. | compositor |
Jerry Tung | .. | senior technical director: lighting |
Nadia Tzuo | .. | visual effects artist: Prologue Films |
Yuki Uehara | .. | flame artist |
Ryan Valade | .. | visual effects editor: Image Engine |
Luke Vallee | .. | digital compositor: Method Studios Vancouver |
Mark Van Ee | .. | visual effects coordinator: Method Studios Vancouver |
Benito Vargas | .. | previs artist |
Frederick B. Vega | .. | fx animator: Tippett Studio |
Biren Venkatraman | .. | lighting technical director |
Andres Vergara | .. | visual effects compositor: Image Engine |
Elinor Villaflor | .. | accounting: Comen VFX |
Kenneth Voss | .. | roto/paint artist: Tippett Studio |
Daanish Wain | .. | digital compositor |
Shawn Walsh | .. | visual effects executive producer: Image Engine |
Jessica Wan | .. | digital compositor |
Francis Meade Warner | .. | assistant visual effects coordinator |
Gregory Watkins | .. | rotoscope artist: Method Studios |
Mark H. Weingartner | .. | visual effects director of photography |
Aaron Weintraub | .. | visual effects supervisor: Mr. X Inc. |
Larry Weiss | .. | lead lighting technical director: Tippett Studio |
Cliff Welsh | .. | digital compositor |
Yanick Wilisky | .. | visual effects supervisor: Modus FX |
Edson Williams | .. | visual effects supervisor: Lola Visual Effects |
Terry Windell | .. | visual effects supervisor: second unit |
Andrew Winters | .. | visual effects artist |
Bruce Woloshyn | .. | visual effects supervisor: Method Studios Vancouver |
Hiroyuki David Yabu | .. | lead animator: Modus FX (as David Yabu) |
Shyam V. Yadav | .. | data wrangler |
Yoshiya Yamada | .. | visual effect artist: Lola vfx |
Mattaniah Yip | .. | digital compositor: Spin VFX |
Thomas Mathai | .. | data manager (uncredited) |
Mark Prusten | .. | fluid simulation supervisor (uncredited) |
Corey Rosen | .. | director of creative marketing: tippett studio (uncredited) |
Antony Vannapho | .. | lighting technical director: Modus FX (uncredited) |
Stunts
Ed Anders | .. | stunt performer |
Brett Armstrong | .. | stunt performer |
Scott J. Ateah | .. | stunt coordinator: Vancouver (as Scott Ateah) |
Shawn Beaton | .. | stunt performer |
Krista Bell | .. | stunt performer |
Ian Binnie | .. | stunt rigger |
Curtis Braconnier | .. | stunt performer |
Greg Bray | .. | stunt rigger |
Byron Brisco | .. | stunt performer |
Dustin Brooks | .. | stunt rigger |
Marcio Caldas | .. | stunt coordinator: Brazil |
Clint Carleton | .. | stunt performer (as Clint Charleton) |
Janene Carleton | .. | stunt performer |
Mike Carpenter | .. | stunt performer |
Kimberly Chiang | .. | stunt performer |
Fraser Corbett | .. | stunt performer |
Garvin Cross | .. | stunt performer (as Garvin Cross) |
Colin Decker | .. | stunt rigger |
Dave Dunaway | .. | stunt rigger |
Marny Eng | .. | stunt performer |
Ryan Ennis | .. | assistant stunt coordinator: Vancouver |
Carolyn Field | .. | stunt performer |
Corbin Fox | .. | stunt rigger |
Lani Gelera | .. | stunt performer |
Christopher Gordon | .. | stunt performer |
Lars Grant | .. | stunt performer |
Kory Grim | .. | stunt performer |
Leif Havdale | .. | stunt performer |
Adrian Hein | .. | stunt double: Peter Facinelli / stunt performer |
Brian Ho | .. | stunt performer |
Brian Imada | .. | utility stunts |
Jeff Imada | .. | fight coordinator: Louisiana / stunt coordinator: Louisiana |
Ernie Jackson | .. | assistant stunt coordinator: Vancouver (as Ernest Jackson) |
Zandara Kennedy | .. | stunts |
John Koyama | .. | assistant stunt coordinator: Louisiana / co-stunt coordinator |
Jon Kralt | .. | stunt double: Taylor Lautner |
Dave Lane | .. | stunt rigger |
Sam Looc | .. | utility stunts |
Reg Milne | .. | stunt rigger |
Atlin Mitchell | .. | stunt double: Ashley Greene |
Anthony Moyer | .. | stunts |
David Mueller | .. | stunt rigger |
Gabriel Nunez | .. | utility stunts |
Hugh Aodh O'Brien | .. | utility stunts |
Rochelle Okoye | .. | stunt double: Tracey Heggins |
Darryl Quon | .. | stunts |
Bridgett Riley | .. | stunt double: Ashley Greene, Elizabeth Reaser, Casey Labow, Mia Maestro |
Matthew Rugetti | .. | stunt double: Taylor Lautner |
James Ryan | .. | utility stunts |
Patrick Sabongui | .. | stunts |
Todd Scott | .. | stunts |
Luke Sexton | .. | stunts |
Karin Silvestri | .. | stunt double: Andrea Powell / stunt double: Nikki Reed |
Grant Smith | .. | stunt rigger |
Monte Thompson | .. | stunt rigging coordinator |
Aaron Toney | .. | utility stunts |
Steve Upton | .. | utility stunts |
Jon Valera | .. | stunt performer / utility stunts |
Owen Walstrom | .. | stunt performer |
Mike Wilson | .. | utility stunts |
Kofi Yiadom | .. | utility stunts |
Peng Zhang | .. | co-fight coordinator / fight coordinator |
Jay Amor | .. | utility stunts (uncredited) |
Stanton Barrett | .. | stunt double: Peter Facineli (uncredited) |
Krista Bell | .. | stunt double: Elizabeth Reaser (uncredited) |
Freddy Bouciegues | .. | utility stunts (uncredited) |
Curtis Braconnier | .. | stunt double (uncredited) |
Solomon Brende | .. | utility stunts (uncredited) |
Chris Brewster | .. | utility stunts (uncredited) |
Stacey Carino | .. | stunt double: Olga Fonda (uncredited) |
Richard Cetrone | .. | stunt double: Lee Pace/Christian Camargo (uncredited) |
Brett Chan | .. | stunts (uncredited) |
Anis Cheurfa | .. | utility stunts (uncredited) |
Paul Darnell | .. | stunt double: Robert Pattinson (uncredited) |
Elizabeth Davidovich | .. | utility stunts (uncredited) |
Holland Diaz | .. | stunt double: Jackson Rathbone (uncredited) / utility stunts (uncredited) |
Jayson Dumenigo | .. | utility stunts (uncredited) |
Kofi Elam | .. | utility stunts (uncredited) |
Christian J. Fletcher | .. | stunt rigger (uncredited) |
Jeff Galpin | .. | utility stunts (uncredited) |
Christopher Gordon | .. | stunt double: Jackson Rathbone (uncredited) / stunt double: Taylor Lautner (uncredited) |
Guillermo Grispo | .. | utility stunts (uncredited) |
Adam Hart | .. | stunt double: Peter Facinelli/Kellan Lutz (uncredited) |
Leif Havdale | .. | stunt double: Robert Patinson (uncredited) |
Kiralee Hayashi | .. | stunt double: Kristen Stewart (uncredited) |
Brian Hite | .. | stunt performer (uncredited) |
Jake Huang | .. | stunts (uncredited) |
Jacob Kabel | .. | utility stunts (uncredited) |
Shawn Kautz | .. | utility stunts (uncredited) |
Rochelle Okoye | .. | stunts (uncredited) |
Travis Wong | .. | utility stunts (uncredited) |
John Zimmerman | .. | stunt rigger (uncredited) |
Camera and Electrical Department
Dustin Allen | .. | lighting technician |
Matt Almas | .. | bestboy grip |
Skylar Almas | .. | grip |
Allan Almeida | .. | grip: Brazilian crew |
Michael Applebaum | .. | camera operator: 'b' camera |
Scott Andrew Armstrong | .. | rigging grip |
Grant Babbitt | .. | camera utility: promo shoot / digital imaging technician: promo shoot |
Israel Basso | .. | dolly grip |
Bob Bates | .. | gaffer: second unit |
Melissa Beaupre | .. | grip: second unit |
Christa Beth Watkins | .. | camera production assistant |
Dane Bjerno | .. | aerial camera technician |
Hans Bjerno | .. | aerial director of photography |
Jeffery Bjorgum | .. | video assist |
Giovanni Bommarito | .. | grip |
John Bramley | .. | second unit photographer |
Guy Broussard | .. | set lighting technician |
Bryan Bubba Carlisle | .. | grip |
Sasha Chrosciewicz | .. | security grip |
Andrew Jason Clark | .. | grip: second unit |
Kenneth Coblentz | .. | rigging grip |
Andrew Cooper | .. | still photographer |
Chris Cove | .. | libra head technician: second unit |
Jimi Covert | .. | lighting technician (as Jimmy Covert) |
David Crone | .. | camera operator / steadicam operator |
Rob Crone | .. | second assistant camera |
Mark Shane Davis | .. | second unit: key grip |
Luiz Gonzaga de Almeida | .. | key grip: Brazilian |
Matthew Devitt | .. | best boy grip |
Stephen Early | .. | second assistant camera |
Cam Esau | .. | lighting technician |
Eli Everhard | .. | best boy electric: second unit |
Ryan French | .. | assistant chief lighting technician |
Cody Gautreau | .. | camera loader: Caribbean unit |
David Goldsmith | .. | key video assist |
Doane Gregory | .. | still photographer: second unit |
Braden Haggerty | .. | underwater camera operator |
Grant Hamakawa | .. | secuirty grip |
Sean M. Harding | .. | b camera operator: Vancouver |
Christian Hardy | .. | dolly grip: second unit / rigging electrician |
Jeff Harvey | .. | best boy |
Thairon Harvey | .. | rigging electrician |
Patrick Hogue | .. | film loader |
Richie Hollis | .. | rigging grip |
Stan Hoyt | .. | rigging electrician |
Harrison Huffman | .. | rigging grip |
Franklin Jones II | .. | rigging grip |
Timothy James Kane | .. | first assistant camera: 'a' camera |
André Keller | .. | video assist (film segments) |
Gary Kelso | .. | dolly grip |
Phil Klapwyk | .. | console programmer/operator |
Adam Kolegas | .. | grip |
Jeff Kuzyk | .. | lighting technician |
Kevin Lippincott | .. | rigging electrician |
Lisa Long | .. | first assistant camera: third unit |
Josh Lovig | .. | rigging grip |
Daryl Makortoff | .. | rigging grip |
Byron Marigny | .. | rigging electrician |
Paul Go Mayne | .. | lighting technician (as Paul Stoker Mayne) |
Kevin McCloy | .. | rigging key grip |
Adam Mitchell | .. | set lighting: second unit |
Brent Swampy Mullins | .. | rigging grip |
Cesar Nery | .. | gaffer assistant: Brazilian crew |
Robert Owen | .. | lighting technician: second unit |
Sean Oxenbury | .. | rigging gaffer |
Philippe Palu | .. | key security grip |
Max Patrucco | .. | rigging grip |
Rachel Perlis | .. | grip |
Eduardo Duque Pimenta | .. | first assistant camera (as Eduardo Augusto 'Pimenta' Duque) |
Felipe Reinheimer | .. | steadicam operator |
Ronald Richard | .. | lighting technician |
Jonathan E. Robinson | .. | loader |
Peter D. Roome | .. | first assistant camera: 'b' camera |
Donald Roth | .. | rigging grip |
Martina Rupp | .. | first assistant camera |
Declan Ryan | .. | balloon light technician |
Rigney Sackley | .. | 'a' camera second assistant |
Courtland Sandover-Sly | .. | security grip |
Ted Sapp | .. | rigging key grip |
Mike Satterfield | .. | rigging grip |
Codie Scott | .. | grip |
James Selph | .. | best boy rigging grip |
Jonathan Stoll | .. | grip |
Rick Stribling | .. | key grip |
Brandon Swain | .. | set lighting technician |
Jeff Taylor | .. | second assistant camera: 'b' camera |
Todd Thompson | .. | rigging grip |
Jon Thurner | .. | grip: island unit |
Kris Tobiasson | .. | lighting technician |
Brendan van Meter | .. | lighting balloon operator |
Chad Vanko | .. | balloon light technician |
Roger Vernon | .. | director of photography: second unit |
Jason Vowell | .. | video assist: second unit |
Jordan Whaley | .. | additional lighting technician |
Lance White | .. | digital video assist coordinator: second unit |
Jared Wilcox | .. | grip |
Carrie Wilson | .. | second assistant camera |
Darin Wong | .. | dolly grip |
Earl Woods | .. | rigging gaffer |
Don Yockey | .. | grip: Carribean unit |
Kurt Zelmer | .. | best boy rigging electric |
Nick Zinobile | .. | company grip: Carribean unit |
Amie Gibbins | .. | c cam second assistant camera (uncredited) |
Trenton McRae | .. | electrician (uncredited) |
Animation Department
Jimmy Almeida | .. | animator |
Ryan Bradley | .. | animator |
T.J. Burke | .. | lead animator: Hydraulx |
Scott Fritts | .. | animation lead |
Tom Gibbons | .. | animation supervisor: Tippett Studio |
Louis Jones | .. | animator: Tippett Studio |
Gary Mau | .. | animator: title sequence |
Jess Morris | .. | animator |
Phil Morris | .. | animator |
Christopher Mullins | .. | animator |
Yuhon Ng | .. | animator |
Carol Prince | .. | animator |
Danny Southard | .. | animator: Tippett Studio |
Casting Department
Andrea Brown | .. | extras casting |
Patty Connolly | .. | adr voice casting (as Patty Majorczak-Connolly) |
Elizabeth Coulon | .. | extras casting director |
Tara Feldstein | .. | location casting associate |
Andrea Hughes | .. | extras coordinator |
Candi Lei | .. | extras casting |
Shayna Markowitz | .. | casting assistant |
J.J. Ogilvy | .. | casting associate |
Pamela Pearl | .. | casting associate |
Sebastian Rey | .. | extras casting |
Mark Sussman | .. | adr voice casting |
June E. Watson | .. | extras casting assistant |
Costume and Wardrobe Department
Lindsay Borowko | .. | truck costumer: second unit |
Phillip Boutte Jr. | .. | key costume illustrator |
Stacy Caballero | .. | assistant costume designer |
Jordan Carper | .. | costume p.a. |
Suzanne M.B. Chambliss | .. | set costumer |
Anne Cicero | .. | costume buyer |
Megan Coates | .. | set costumer |
Meghan Cornay | .. | costumer |
Luisa Dalmagro | .. | costume buyer |
Annette Farnsworth | .. | set costumer |
Alison Fraser | .. | assistant costume designer |
Carolina Herrera | .. | designer: Bella's wedding dress |
Tara R. Hinecker | .. | set costumer |
Aurora Knox | .. | assistant cutter / cutter/fitter |
Sarah P. Koeppe | .. | set costumer |
Rosalie Lee | .. | cutter |
Shonta T. McCray | .. | set costumer |
Janet Melody | .. | head ager/dyer |
Mollie Middleditch | .. | wardrobe assistant (as Mollie Gates) |
Heather Rae Miller | .. | set costumer |
Susan O'Hara | .. | costume set supervisor |
Heather Osborne | .. | truck costumer |
Renee Ragucci-Shelton | .. | set costumer (as Renee Ragucci) |
Reba Saul | .. | set costumer |
Paul Sinnott | .. | costume assistant |
Michelle Toledo | .. | costume shopper |
Britany Viguerie | .. | costume production assistant |
Rodney Williamson | .. | costumer |
Editorial Department
Joey Amron | .. | assistant editor |
Pete Conlin | .. | post production |
Jason Dale | .. | first assistant editor |
Leeza Diott | .. | technical manager: post production |
Tom Erickson | .. | editorial assistant (as Thomas Erickson) |
Ben Estrada | .. | colorist: dailies |
Vanessa Galvez | .. | project manager |
Jermaine R. Gill | .. | color correction assistant |
Rob Grant | .. | post-production assistant |
Jonathan Hoffman | .. | post production |
Élodie Ichter | .. | colorist assist: Efilm |
Jeremy Kirkland | .. | editorial assistant |
Curtis Lindersmith | .. | digital intermediate editor |
Yvan Lucas | .. | film colorist |
Harry Muller | .. | color timer |
Tom Reiser | .. | second colorist: Efilm |
Frank Robinson | .. | colorist: Deluxe Vancouver |
Shae Salmon | .. | assistant editor |
Zachary Quinn Scheuren | .. | editor: Prologue Films |
Leslie Adkins-Garza | .. | post-production coordinator (uncredited) |
Gérard Estival | .. | color timer (uncredited) |
Nathaniel Lee Voelker | .. | qc coordinator (uncredited) |
Location Management
Michael J. Burmeister | .. | location manager |
Lisa Calhoun | .. | location scout |
Christina DeCharles | .. | key assistant location manager |
Sean J. Donnelly | .. | locations |
Abraham Fraser | .. | location manager |
Laura Fuller | .. | set location assistant |
Sue Kittler | .. | location scout |
Jedrzej Kowalski | .. | assistant location manager |
Michael J. LeGresley | .. | first assistant location manager |
Bonnie Marquette | .. | location scout |
Patrick Mizell | .. | location assistant |
Jason Waggenspack | .. | assistant location manager |
Music Department
Ian Balmain | .. | musician: trumpet |
Donald Barrett | .. | musican: drums |
Christine Bergren | .. | music legal and clearance |
Mark Berrow | .. | musician: violin |
Rachel Bolt | .. | viola |
Robert Burger | .. | music producer |
Carter Burwell | .. | conductor / orchestrator |
Michael Farrow | .. | scoring mixer |
Lewis Jones | .. | pro tools recordist |
Paul Katz | .. | music consultant |
Sonny Kompanek | .. | orchestrator |
Katia Lewin Jablonsky | .. | assistant music editor (as Katia Lewin Palomo) |
Dan Lutz | .. | musican: bass |
Dean Parker | .. | composer assistant |
Alexandra Patsavas | .. | music supervisor |
Adam Milo Smalley | .. | music editor |
Kevin Teasley | .. | composer: additional music |
Ian Thomas | .. | musician: drums |
Kasey Truman | .. | music coordinator |
Bruce White | .. | musician: viola |
Brittany Whyte | .. | music coordinator |
Aleksandar Dimitrijevic | .. | composer: trailer music (uncredited) |
P.K. Hooker | .. | assistant music editor (uncredited) |
Aled Jenkins | .. | assistant score engineer (uncredited) |
Transportation Department
Simon Aubin | .. | picture vehicles wrangler |
Rodney Beech | .. | transportation captain |
Annette Chambers | .. | driver |
Rick Demers | .. | driver: cast |
Chris Dunn | .. | fuel truck driver |
Monte Emery | .. | picture car coordinator |
Jim Filippone | .. | pilot: camera helicopter |
Robert Foster Jr. | .. | transportation coordinator |
Monica W. Fuller | .. | driver (as Monica Williamson) |
David Greenbaum | .. | driver: make up truck (as Dave Greenbaum) |
Matthew Habgood | .. | picture car coordinator |
Beau Holden | .. | personal driver: Robert Pattinson |
Herb Langill | .. | driver: hair/makeup |
Charles Lanoue | .. | driver |
Lance Leis | .. | driver |
Danny Lewis | .. | transportation |
Fernanda Mandriola | .. | Transportation coordinator assistant |
Jeffrey L. McLaughlin | .. | driver: honeywagon |
Robert Oxford | .. | driver |
Beverly Reeves | .. | driver |
Kyndra Short | .. | dot compliance coordinator |
Wayne Short | .. | genny operator |
Mike Witherington | .. | driver |
Other crew
Ehren Adams | .. | production assistant |
Caellum Allan | .. | physical production |
Sheila Allen | .. | production accountant |
John Arbuckle | .. | water safety supervisor/diver |
Diana Ascher | .. | post production accountant: Trevanna Post |
Adam Assad | .. | production assistant |
Toni Atterbury | .. | unit publicist |
Liz Barker | .. | containment production assistant |
Karen Barna | .. | business affairs/legal |
Frank Barnett | .. | set production assistant |
Paul Becker | .. | choreographer |
Bob Bedard | .. | head chef |
Nicholas Bencriscutto | .. | digital resource wrangler: Tippett Studio |
Chuck Bennethum IV | .. | production assistant |
Melanie Berthelo | .. | production assistant |
Mauro Blanco | .. | loop group: additional dialogue |
Kofi Boateng | .. | production assistant |
Kameron Bodaly | .. | production assistant |
Daniel Bonjour | .. | voice talent |
Daniel Booko | .. | voice actor |
Kara Bowman | .. | medic |
Barbara Branch | .. | first assistant accountant |
David E. Burke | .. | security |
Kris Butler | .. | medic / set medic |
Steve Cainas | .. | production coordinator |
Nadine Charleson | .. | production assistant |
Ariane Chatman | .. | additional payroll |
Chris Clinton | .. | set production assistant |
Rudy Coblentz Jr. | .. | construction accountant |
Kyle Cooper | .. | executive producer: Main Titles and Visual Effects (Prologue) |
Jeff Croft | .. | set containment: second unit |
Zane Crump | .. | production assistant |
Angel De La Vina | .. | basecamp production assistant |
Fernando de Souza | .. | Production Coordinator: Brazil |
Brittney Diez | .. | production assistant |
Jessica Drake | .. | dialect coach |
Steven Eddy | .. | physical production executive |
Manija Emran | .. | end title sequence typographer |
Lea Enslin | .. | key second assistant accountant |
John Fahrendorf | .. | assistant: Ms. Stewart |
Cristiane Façanha | .. | production coordinator |
Erik Feig | .. | production executive |
Lucien Fernandez | .. | production assistant |
Hazen S. Finnerty Jr. | .. | set medic |
Shayne Fiske | .. | production executive |
Erin Foster | .. | stand-in: Ashley Greene |
Taylor Gerrity | .. | assistant post-production accountant |
Jesse Goodman | .. | production assistant |
Tom Goodrich | .. | studio teacher |
Grant Grabowski | .. | travel coordinator |
Justin Groetsch | .. | production coordinator: second unit |
Marcelo Guerra | .. | production accountant: Brazil |
Joe M. Hagg | .. | office production assistant |
Danielle Halagarda | .. | assistant to Mr. Bannerman |
Steve M. Hammond | .. | photo double |
Shelley Hatch | .. | craft service assistant |
Sanford Hatcher | .. | craft service |
Jeffrey Hawkes | .. | assistant: Mr. Pattinson |
Corbin Heide | .. | production assistant |
Andre Herrera | .. | set production assistant |
Meghan Hibbett | .. | assistant: Ms. Meyer |
Dylan Hickey | .. | production assistant |
Saraya Hickey | .. | production assistant |
Jaclyn Huntling | .. | assistant: Mr. Godfrey |
Lana Jackson | .. | set medic |
Anne Jacobsen | .. | production accountant |
Ian Jarvis | .. | accounting clerk |
Paul Jasper | .. | animal coordinator |
Katye Kalivoda | .. | set production assistant: second unit |
Tarik Kanafani | .. | assistant: Mr. Lautner |
Katia Kieling | .. | voice actor |
Brynn Kinnee | .. | background coordinator |
Iran Kuykendall | .. | set production assistant |
Natalie Lapointe | .. | assistant: Mr. Bannerman, Vancouver |
Amy Law | .. | second unit medic |
Loui J. LeRoy | .. | production assistant |
Jessica Lichtner | .. | script supervisor |
Danielle Loosemore | .. | accounting clerk |
Jason Lopes | .. | lead systems engineer legacy effects |
Giovanni Lopez | .. | insurance |
Julie Lopinto | .. | second assistant accountant |
Megan MacFadgen | .. | production assistant |
Muite Macharia | .. | production assistant (as Paul Muite Macharia) |
Caroline MacVicar | .. | assistant: Ms. Rosenfelt |
David Magee | .. | production coordinator: second unit |
Evan Michael Magers | .. | photo double: Robert Pattinson |
Corey S. Mah | .. | production assistant |
Michael Andrew Mann | .. | accounting clerk |
Brad Dirk Martin | .. | boat captain |
Benjamin Jeran McGinn | .. | stand-in: Peter Facinelli / stand-in: Taylor Lautner |
Dean McManus | .. | security: Mr. Pattinson |
Jill McQueen | .. | assistant production coordinator: Canada |
Phil Miler | .. | adr/voice talent |
Taylor Milne | .. | production assistant: second unit |
James Moffat | .. | asst chef |
Charlie Morrison | .. | assistant: Mr. Bowen |
Emily Morrow | .. | assistant production coordinator / production coordinator: U.S. Virgin Islands |
Stephanie Moseley | .. | associate choreographer |
Heidi Brook Myers | .. | additional voices |
David B. Oliver | .. | production finance |
Jekisha Omiyewo | .. | production assistant |
Mike Park | .. | production legal counsel |
Harley Pasternak | .. | personal trainer |
Allie Paterson | .. | production assistant |
Brandon Perry | .. | production assistant |
Danielle Poret | .. | clearance coordinator / clearance/product placement coordinator |
Liam Powell | .. | production assistant |
Michael Prokop | .. | chef |
Krystle Rakestraw | .. | production staff |
Benjamin R. Reder | .. | production legal counsel |
Jeremy Roberts | .. | lead payroll accountant |
Ryan Robertson | .. | main title producer |
Natalie Robison | .. | assistant: Ms. Kelly, Vancouver |
Ashley Romain | .. | office production assistant: second unit |
Ashlynn Ross | .. | photo double: Dakota Fanning / photo double: Kristen Stewart |
Ricardo Juliano Rossi | .. | underwater advisor |
Michael Schulz | .. | production assistant |
Michael James 'Scotty' Scott | .. | manager: production finance |
Lisa G. Shillingburg | .. | location accountant |
Cherie Smid | .. | deer trainer |
Davida Chanel Smith | .. | production secretary (as Davida Smith) |
Natalie Zara Smith | .. | studio teacher |
Todd Steiner | .. | production financing |
A.J. Timmcke | .. | assistant production coordinator: second unit |
Marc Uddo | .. | additional set production assistant |
Chanda Venable | .. | production staff |
Kathleen Whelan | .. | production coordinator |
Konrad Damian Wieclawski | .. | production assistant |
Alexander B. Williams | .. | additional craft service |
Alex John Wiseman | .. | runner |
Stanley Wong | .. | production assistant |
Greg Yolen | .. | assistant: Mr. Condon |
Elisa Christophe | .. | film commissioner: Rio Film Commission (uncredited) |
Karen Dean | .. | accounting clerk (uncredited) |
Jeff Dimitriou | .. | assistant choreographer (uncredited) |
Eric Kops | .. | publicist (uncredited) |
Nicole Mak | .. | dailies film assistant: Deluxe Vancouver (uncredited) |
John McBride | .. | Assistant Credits Coordinator (uncredited) |
Regan B. Pederson | .. | legal consultant (uncredited) |
Thanks
Jack Morrissey | .. | the producers wish to thank |
The Twilight Saga: Breaking Dawn – Part 1 | |
---|---|
Directed by | Bill Condon |
Produced by | Wyck Godfrey Karen Rosenfelt Stephenie Meyer |
Screenplay by | Melissa Rosenberg |
Based on | Breaking Dawn by Stephenie Meyer |
Starring | |
Music by | Carter Burwell |
Cinematography | Guillermo Navarro |
Edited by | Virginia Katz |
Temple Hill Entertainment Sunswept Entertainment | |
Distributed by | Summit Entertainment |
| |
117 minutes[1] | |
Country | United States |
Language | English |
Budget | $110 million |
Box office | $712.2 million[2] |
The Twilight Saga: Breaking Dawn – Part 1 (commonly referred to as Breaking Dawn: Part 1) is a 2011 American romanticfantasy film directed by Bill Condon, based on the novel Breaking Dawn by Stephenie Meyer. Constituting the first of a two-part adaptation of the novel, the film is the fourth and penultimate installment in The Twilight Saga film series, and was followed by Breaking Dawn: Part 2 in 2012. All three main cast members, Kristen Stewart, Robert Pattinson, and Taylor Lautner, reprised their roles.
Wyck Godfrey and Karen Rosenfelt served as producers of the film, along with the author of the series, Stephenie Meyer; the screenplay was written by Melissa Rosenberg, the screenwriter of the first three entries.[3] It was released in theaters on November 18, 2011,[4] and released to DVD on February 11, 2012, in the United States.[5] Although negatively reviewed by critics, the film was commercially successful, grossing over $712 million worldwide.
- 3Production
- 4Marketing
- 4.2Leaks
- 6Reception
- 6.1Box office
Plot[edit]
Bella Swan is preparing for her wedding. During the reception, Jacob Black, who had angrily left town upon receiving an invitation to Bella and Edward Cullen's wedding, returns. While dancing with Jacob in the woods, away from everyone else, Bella admits that she and Edward plan to consummate their marriage on their honeymoon while she is still human. Jake becomes furious, knowing that such an act could kill her. Sam and other pack members restrain Jacob before he phases.
After the wedding, the couple spends their honeymoon on Isle Esme, and they make love for the first time. The next morning, Edward realizes that Bella has numerous bruises and is upset at himself for hurting her, though Bella insists that she enjoyed the experience. Edward swears not to make love again until she becomes a vampire. Two weeks after the wedding, Bella notices her period is late. Alice and Carlisle call Bella asking if she is alright. She replied that she is not completely sure and tells them the news about her pregnancy. Edward, worried, predicts that Bella will not survive the pregnancy. He tells her that Carlisle should remove the baby. She refuses, as she wants to keep her child, and convinces Edward's sister, Rosalie, to act as her bodyguard. They fly back home to Forks, Washington. Though Bella has only been pregnant for two weeks, the baby grows very fast.
Jacob rushes over to the Cullens' house. Bella, now heavily pregnant, is pale and underweight. Jacob, upset, says that they should abort it as soon as possible. Bella says that it is her choice. As her pregnancy progresses, the quality of her health declines, then, as she starts drinking human blood to satisfy the baby's vampiric thirst, improves rapidly. Edward comes to love the baby and manages to read its thoughts, learning that his child loves Bella and Edward's voice.
Bella is sharing her baby names with Edward and Jacob when her backbone suddenly breaks and she collapses. They realize that Bella cannot cope with the pregnancy and the baby is suffocating, so they begin to perform a cesarean section on her. Rosalie starts the procedure, as Carlisle is out getting blood, but due to her hunger, the blood on the blade tempts her greatly. Jacob stops her as Edward picks up the blade and finishes the procedure. Bella, in agony, goes unconscious. After the surgery, Bella wakes up and sees her newborn daughter, and chooses Renesmee as the baby's name, before slowly dying. Jacob and Edward do everything they can to revive her, but nothing works. To save her life, Edward injects Bella's heart with his venom to transform her into a vampire, before biting her neck, arms, and legs. Their attempts appear to fail. Jacob then runs outside of the house to sit and cry. Seth and Leah appear and realize that Bella will not survive and tell the pack. Distraught, Jacob goes back inside and attempts to kill Renesmee, but when they look into each other's eyes, he sees all the future versions of her and decides not to kill her, imprinting her instead.
When the werewolves learn of Bella's 'death', they attack the Cullens' house in an attempt to kill the baby, fearing it would become too great of a threat. Casio fx 991ex manual. Edward, Alice, and Jasper, defend their home with the help of Leah and Seth, and are later assisted by Carlisle, Esme, and Emmett. Jacob then runs outside to stop the fight and phases into his wolf form. Jacob and Sam shortly communicate with each other telepathically. Edward reads Jacob's mind, announcing that Jacob has imprinted on Renesmee, and since the wolves' most absolute law is not to harm anyone who has been imprinted on, they are forced to leave.
Bella is cleaned and dressed. Edward's venom begins to work in her body; her bite marks heal, her broken back and chest repair, and her figure returns to normal. When her eyes open, they are colored blood-red.
In a post-credits scene, Aro and his brothers, Marcus and Caius, receive a letter from Carlisle announcing that the Cullens have a new member of the family. Aro informs his brothers that his feud with the Cullens is not yet over, as they have something he wants.
Cast[edit]
- Kristen Stewart as Bella Swan, Edward's wife and Jacob's best friend. She marries Edward in this installment and realizes that she has become pregnant with a half-vampire, half-human baby and that her condition is progressing at an unnaturally accelerated rate.
- Robert Pattinson as Edward Cullen, Bella's husband and Jacob's romantic rival. Convinced that the fetus is going to kill Bella, he urges her to abort the pregnancy, but Bella refuses. In the meantime, he and the entire Cullen coven must also fend off Sam and his pack of wolves who believe that their treaty is broken and are on their way to kill Bella and the unborn baby.
- Taylor Lautner as Jacob Black, Bella's best friend and Edward's romantic rival. He was heartbroken over Bella's choice to marry Edward, but he imprints on Bella and Edward's daughter, Renesmee. He is also the great-grandson of a Chief, and the Alpha of the Black Pack.
- Peter Facinelli as Carlisle Cullen, Esme's husband and the patriarch of the Cullen family. He is a doctor and helps Bella during her unnaturally accelerated pregnancy and provides human blood for Bella to drink to maintain her strength.
- Elizabeth Reaser as Esme Cullen, Carlisle's wife and the matriarch of the Cullen family.
- Ashley Greene as Alice Cullen, a member of the Cullen family who can see 'subjective' visions of the future and who is close friends with Bella. She is Jasper's wife.
- Kellan Lutz as Emmett Cullen, the strongest member of the Cullen family. He is Rosalie's husband.
- Nikki Reed as Rosalie Hale, a member of the Cullen family who helps Bella through her pregnancy.
- Jackson Rathbone as Jasper Hale, a member of the Cullen coven who can feel, control and manipulate emotions. He is Alice's husband.
- Billy Burke as Charlie Swan, the Chief of the Forks Police Department, and Bella's father.
- Sarah Clarke as Renée Dwyer, Bella's mother, who remarried to Phil Dwyer.
- Julia Jones as Leah Clearwater, Seth's older sister and the only female werewolf in existence.
- Booboo Stewart as Seth Clearwater, Leah's younger brother and Edward and Jacob's friend.
- MyAnna Buring as Tanya, the leader of the Denali coven.
- Maggie Grace as Irina, a member of the Denali coven whose lover, Laurent, was killed by the werewolves.
- Casey LaBow as Kate, a member of the Denali coven who has the ability to release an electric current over her body.
- Michael Sheen as Aro, Caius and Marcus's brother who has the ability to read every thought a person has ever had once he has made physical contact. One of the three main founders of the Volturi.
- Jamie Campbell Bower as Caius, Aro and Marcus's brother. One of the three main founders of the Volturi.
- Christopher Heyerdahl as Marcus, Aro and Caius's brother who has the power to sense the strength and nature of relationships. One of the three main founders of the Volturi.
- Chaske Spencer as Sam Uley, the Alpha of the main werewolf pack.
- Mackenzie Foy as Renesmee Cullen, Bella and Edward's half-mortal, half-immortal daughter and Jacob Blacks Imprintee.
- Christian Camargo as Eleazar, a member of the Denali coven who has the ability to identify the special powers of other vampires.
- Mía Maestro as Carmen, a member of the Denali coven and mate of Eleazar.
- Olga Fonda as Valentina, a secretary to the Volturi who announces Edward and Bella's wedding. Fonda's scenes were cut in the theatrical release, but they were restored in the extended edition.
- Stephenie Meyer makes a cameo as an attendee of Edward and Bella's wedding.
Production[edit]
Development[edit]
Talks for a Breaking Dawn film started after Summit Entertainment approved the second and third adaptations of the franchise, and scheduled the two films to be released six months apart.[6]Wyck Godfrey, producer of the previous films in the series, stated in mid-2009 that they had every intention to make the film version of Breaking Dawn,[7] but Stephenie Meyer, author of the series, explained on her website's Breaking Dawn FAQ that if an adaptation were to be created, it would have to be split into two films because 'The book is just so long!', saying that she would have made the book shorter if it were possible.[8] She also believed it to be impossible to make a film due to Renesmee, writing that an actress could not play her because she is a baby that has complete awareness, 'The one thing that I've never seen is a CGI human being who truly looks real'; however, she did acknowledge the film might be possible due to the quickly-advancing technologies.[8] Moreover, because of the mature and explicit nature of the Breaking Dawn book, fans and critics questioned if the studio would be able to keep a PG-13 rating, noting that the movie should not be rated R for the ever-growing fan base.[9] In March 2010, Variety reported that Summit Entertainment was considering splitting the 754-page book into two films, along the same lines as Warner Bros.' Harry Potter and the Deathly Hallows.[10] Since under contract for only four films, the status of Stewart's, Pattinson's, and Lautner's contracts were in question, making the possibility of a split unlikely.[10] Producer Wyck Godfrey stated that all three main cast members were signed onto one Breaking Dawn film.[3]
In March 2010, it was announced that Summit was searching for Academy Award-nominated directors to helm the project, with names like Sofia Coppola, Gus Van Sant, and Bill Condon rumored to have been approached to direct.[11] On April 28, 2010, Summit announced that Bill Condon, who directed Dreamgirls, would direct Breaking Dawn; Wyck Godfrey, Karen Rosenfelt, and author Stephenie Meyer would be producing the film. 'I'm very excited to get the chance to bring the climax of this saga to life on-screen. As fans of the series know, this is a one-of-a-kind book—and we're hoping to create an equally unique cinematic experience', said Bill Condon.[12] Condon spoke about Summit approaching him saying, 'The very nice folks at Summit… they sent me the novel. I loved it. I quickly imprinted on the material'.[13] Another reason Condon cited was the desire to collaborate with Stewart.[14] Gus Van Sant later explained that Robert Pattinson mentioning him as the ideal director for Breaking Dawn was what made him audition for the job and described the audition as 'very nerve-wracking'. However, after Condon was hired, Sant suggested that the reason behind not getting hired was his style and way of auditioning being different from what the executive producers were used to.[15]
In June, Summit officially confirmed that a two-part adaptation of the fourth book would start filming in November.[16][17] The first part was released on November 18, 2011, and the second part's release date is set for November 16, 2012.[18]
The Twilight Saga also helped motivate Rosenberg into launching a female-centric production company, Tall Girls Productions: 'The charter of it, if there is one, would be to create some strong roles for women… the female Batman, the female Tony Soprano.' She explained that, despite the fact of the many hours of hard work ahead of her, it is what she wants to do.[19]
After confirming one film, Summit had been keeping their eye on a fifth installment.[4] In May 2010, Billy Burke and Peter Facinelli were the only cast actors who were confirmed for both parts of Breaking Dawn, while other cast members such as Ashley Greene and Kellan Lutz were still in negotiations for a second part. If the actors holding Summit back from making an official announcement did not reach an agreement with them, the studio would not have minded recasting their roles, as was done in The Twilight Saga: Eclipse with Bryce Dallas Howard's character, Victoria.[4] However, in June 2010, Summit officially confirmed that a two-part adaptation of the fourth book would start production and it was made clear that all major actors, including the three lead roles, the Cullen family, and Charlie Swan, would return for both parts. Actresses Christie Burke, Rachel St. Gelais, Sierra Pitkin, and Eliza Faria play Renesmee at her various ages in the film.[20]
Pre-production[edit]
Since the first film was released, fans and critics speculated whether Breaking Dawn would be adapted into a film considering the adult nature of the book. In March 2010, Rosenberg spoke about adapting the book saying, 'It's the big one, it's gonna be a big challenge, and I guarantee you that not all of the fans will be happy, and I guarantee you some of them will be. You have to give up the ideal of making everybody happy, it's just not gonna happen, but you hope you make the majority happy. Again, for that last book it is about taking that specific character Bella on her journey. It's a big journey, it's a massive change for her, and you hope to realize that.'[21] One of the scenes that aroused the speculations that the film would be rated R is the infamous graphic birth scene in the novel. In August, Rosenberg addressed such speculations saying, 'On the fan site, on Facebook, all the comments are 'It has to be R rated! You have to show the childbirth! Gore and guts and sex!' For me it's actually more interesting to not see it. You know, you can do childbirth without seeing childbirth … it doesn't mean it's any less evocative of an experience.'[22] Producer Wyck Godfrey addressed those speculations further saying, 'it would be a crime against our audience to go R-rated' as the core fans of the series are below 18 years old, but insisted that the film is based on a mature book, so more progress and sophistication are needed.[23] To compromise the necessary sophistication in adapting such a mature book and the need for maintaining a PG-13 rating, Rosenberg stated that the scene would be shown from Bella's point of view.[24] Godfrey described it saying, 'She is looking through the haze, experiencing pain and everything rushing around her. We only see what she sees'.[23]
Melissa Rosenberg, writer of The Twilight Saga: Breaking Dawn, about adapting the book to film[21]
In June, Rosenberg stated in an interview that the decision on where to split the film had not been decided, as she was still in the drafting stage of the scripts.[19] 'I think it comes down to Bella as human and Bella as vampire', she said, hinting at a potential splitting point. She thought that Condon would probably disagree with the statement, explaining that the decision is ultimately up to him.[19] Later in January 2011, Godfrey confirmed that the Part 1 will cover the wedding, honeymoon, pregnancy and birth and ends just before her transformation into a vampire as the filmmakers wanted to 'take the audience through the emotional part of Bella's journey as she becomes a vampire'. Part 2 will follow her transformation, the 'first exhilarating moments' of her vampire life[25] and the final confrontation with the Volturi. Godfrey also confirmed that Part 1 will follow the book's storyline as it breaks away from Bella and switches into Jacob's perspective. 'There is a sense that as Bella and the Cullens (Edward's makeshift vampire clan) deal with her pregnancy, the world is still turning outside with Jacob', he explains.[23] However, in March 2011, Meyer said in interview with USA Today that Part 1 will end when Bella opens her eyes as a vampire.[25]
By August, Rosenberg said that the scripts for Part 1 and 2 were 75 to 85 percent completed. She found the greatest challenge in writing the scripts to be the final sequence of Part 2: 'The final battle sequence is a big challenge because it lasts 25 pages', she said. 'It's almost an entire three-act story in and of itself. You have to track [keep it all in one setting] hundreds of characters. It's an enormous challenge to choreograph on the page and for Bill [Condon] to choreograph on the stage.' She had written various drafts of the scene but, at that, hadn't revised or discussed them with Condon yet. She said, 'That's the next big hurdle to sit down with the stunt coordinator and create the ballet. It's a lot of work. I'm exhausted, but we're intent on making them the best scripts yet.' Godfrey called Part 2 'an action film in terms of life-and-death stakes' and said that in Part 1 'there are the pangs of newlywed tension that occur that are relatable even in a fantasy film. Marriage is not quite the experience that they thought it was.' Condon thought of Part 1 'as a real companion piece to Catherine Hardwicke's movie'. Condon explains, 'Like, everything that got set up there gets resolved here. I think you'll find that there are stylistic and other nods to that film.'
Godfrey considered releasing the second film in 3D to differentiate between the time before and after Bella becomes a vampire,[17] an idea originally proposed for Eclipse, but said that the decision is up to Condon. However, he said that if the second film were to be released in 3D, he would like to shoot it with the proper equipment in 'real' 3D as was done with Avatar (2009), not convert it into 3D in post-production as was done with Clash of the Titans (2010).[26]
Filming[edit]
In order to keep the budget on both parts of Breaking Dawn reasonable, even though it is substantially greater than the previous installments in the series, much of the film was shot in and around Baton Rouge, Louisiana and Celtic Studios in Baton Rouge. Shooting in Louisiana provided larger tax credits, which a small studio like Summit Entertainment would find favorable.[4] Summit announced in a press release on July 9, 2010, that filming was to take place in Baton Rouge, Ucluelet, and Vancouver, with the wedding being shot in Squamish.[27] (Also shot in near by Pemberton, British Columbia.[28]) Both parts will be shot back-to-back as one project.[17] The film will attempt to keep its PG-13 rating, and it will not feature any of the gruesome scenes from the novel[29][30] with Kristen Stewart confirming that the birth scene wasn't as grotesque as described in the book and that she didn't 'puke up blood', though director Bill Condon said that they shot everything as 'powerful and potent as they could'. Though there were many reports of the cast in Whistler, British Columbia, none of the actual filming took place in Whistler itself, but to the north and south of the town in nearby Pemberton (north) & Squamish (south). The Stars were housed in Whistler at 4 and 5 star hotels, the crew in Squamish & Pemberton.[28][31]
Filming officially began on November 1, 2010 in Brazil, with locations in Rio de Janeiro and Paraty, Rio de Janeiro.[32] The first scenes were shot in the Lapa District in Rio de Janeiro for one night. A long city block was rented for shooting, and Summit Entertainment paid residents 50 to 500 reais (30 to 300 U.S. dollars) to not allow paparazzi or fans to overlook filming from their windows. Moreover, owners of bars and restaurants were paid 10,000 and 20,000 reais (6,000 to 12,000 U.S. dollars) to stay closed for the evening to eliminate noise and provide a clear street.[33]
Shooting then moved to Paraty, Rio de Janeiro where the honeymoon scenes were shot. According to Paraty's Tourism Office, filming took place in the Taquari area, near an unidentified waterfall and at Mamangua Bay where a mansion is located.[34] It rained on every day of shooting.[13] In late November, shooting moved to Baton Rouge, Louisiana where most of the indoor scenes were shot on a sound stage[13] and in a house. Stewart had to wear heavy make-up to look thin and ghastly to show Bella through a phase of pregnancy where the baby starts breaking her bones.[35] The birth scene took two nights to shoot[13] after the cast had a long conversation with Meyer, a midwife and a doctor to discuss the mechanics of the scene,[36] particularly to decide the area where Edward should place his mouth to bite into Bella's placenta if this situation could ever occur in real life.[35] An animatronic baby was used to film a few scenes of newborn Rensemee.[37] The cast and crew spent two months of the filming process shooting in a green-screen room on fake snow. Reportedly, a few scenes were also shot in Arsenal Park using green screens.[38]
In late February and early March, filming of most of the exterior shots, along with Bella's vampire scenes, occurred in Canada.[13] The film's first shooting location in Canada was Vancouver. However, the cast and crew were evacuated from the set due to the tsunami advisories resulting from the 9.0-magnitude earthquake that hit Japan on March 11, 2011.[39] Toni Atterbury, a spokeswoman for the film, said that 'the crew was moved to higher ground' as a safety precaution and 'the shoot was delayed for a few hours, but the day's work was accomplished'.[40] Therefore, filming relocated to Squamish, British Columbia, but a few scenes were shot in the Orpheum theater in Vancouver with the Vancouver police covering all the entrances of the theater.[41]
The wedding scene in Part 1 was the last scene the cast and crew shot.[36] It was also shot under tight security. A helicopter hovered above the set, off-duty police officers surrounded the location, and sheets and umbrellas were used to protect the set from aerial shots being taken.[42] Stewart spoke about the wedding at Comic-Con, describing it as 'insane'. She went on to say that it was 'secret service style. The crew was incredibly inconvenienced. No cell phone, etc. They wanted to keep the dress secret.'[13] Concerning the wedding dress, Stewart was locked in a room wearing a Volturi cloak to cover the dress.[13]
Stewart further talked about filming the scene, saying 'I wanted to run down the aisle. I was literally pulling away from Billy Burke. Now it's a trip to watch the wedding scenes. It was so volatile and emotional—I was being such a crazy person.'[36] Condon spoke about it saying, 'The last scene we filmed was the dance scene between Jacob and Bella at the wedding. The last shot is Jacob leaving. I called 'Cut!' and then Kristen yelled, 'Jacob!' and hiked her dress up and started running after him into the woods, saying, 'Come back! Don't leave!'[36]
Filming wrapped—for most of the cast—on April 15, 2011, ending the franchise's three years of production since March 2008.[citation needed] However, on April 22, what is believed to be additional scenes that will fit into the honeymoon sequence were filmed on Saint Thomas, U.S. Virgin Islands in the Caribbean,[43] which was officially the last day of shooting.[43] The crew, Stewart and Pattinson were shooting in the sea all day long, then went out for cocktails on the beach and watched the sunrise.[43] On the subject of the final day and her final moment as Bella, Stewart stated, 'After that scene, my true final scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I've ever felt in my life.'[44] Pattinson thought the day was 'amazing'[43] and commented, 'I then asked myself why we didn't do this in those four years. Every difficult moment just vanished.'
Costume design[edit]
In October 2010, it was announced that Michael Wilkinson would be the film's costume designer.[45] However, Bella's wedding dress was designed by someone other than Wilkinson. Meyer's description of the dress was 'a simpler style than the frillier Edwardian stuff. …Elegant white satin, cut on the bias, with long sleeves.'[46] At first, Zac Posen was rumored to be the designer of Bella's wedding dress; however, these rumors proved false when Posen tweeted: 'Heard the Bella/Twilight rumor and it's just that. I design for real women like Kristen Stewart and Anna Kendrick'.[47] In April 2011, Summit announced that Carolina Herrera is the designer of the dress.[48] Stewart described the dress as very tight, but still liked it and thought that 'it was very pretty'.[49] Meyer told USA Today that the dress was 'an interesting mix' and has a 'vintage feel, but at the same time, there's an edge to it'.[25]
Concerning Alice's bridesmaid dress, its designer remains unknown, however it was presumably designed by Wilkinson. Ashley Greene described the dress as 'magical and beautiful' and spoke about the design process, saying, 'We wanted to have all the bridesmaids fit together and also have their own identity. So, we took a little bit of Alice's past and put it into her dress.'[50] Corsets were added to all the cast's wedding dresses, but were removed during filming because the cast felt uncomfortable wearing them while dancing.[50]
Alfred Angelo has been named the exclusive and official licensed manufacturer of Bella's bridal gown. The gown will be a replica of Bella's wedding dress and marketed under the brand Twilight Bridal by Alfred Angelo. It will be revealed in late November 2011, following the release of Part 1, and will be available in Alfred Angelo Signature Stores and independent retailers worldwide.[51]
Post-production[edit]
In October 2010, Condon announced that Oscar-winning visual effects supervisor John Bruno, along with his team, would helm the visual effects for Breaking Dawn, including the effects necessary to show Renesmee in her various stages of life in Part 2.[45] Later in February, Adam Howard was added to the Breaking Dawn visual effects team to help create the visual effects for Renesmee, due to his notable work on a similar issue in The Social Network.[52] Condon revealed that Mackenzie Foy's face and expressions will be placed digitally on the bodies of the other actresses playing the same character through her various stages of life.[53] Condon spoke about the process saying, 'Sometimes it was hard because the other actresses were actually just there. It was always going to be just Mackenzie's expressions and things like that, so it was a very specific technical thing that even I was learning as we did it. But I have to say, they were real troopers these girls.'[53] Furthermore, special effects were also used to illustrate the invisible powers and forces between the vampires in the final battle sequence of Part 2.[14]
Montreal-based Modus FX created subtle CG effects for Part 1. It created stylized effects to emphasize the supernatural capabilities of the main characters without making them too obvious or noticeable.[54] A team of 12 artists spent six weeks working on the film. Shots included creating the belly of a pregnant Bella, removing a wrist brace Stewart was wearing in the wedding scene due to an injury, and a variety of subtle cosmetic refinements. Bella's pregnancy was a challenge for Modus; the production team wanted the baby to kick and move around inside her belly, so the artists and cinematographer had to match the camera moves, the lighting, even the film grain, along with the subtleties of Stewart's skin.[54] On the subject, CG supervisor Martin Pelletier said,
For this project, we had to be really quick in terms of turn around. We made use of very complex lighting from the set, adding 3D layers, and a matchmove of her stomach, to make her look pregnant. We took our time at the start to get the recipe right and that paid off in efficiency once we got going. We were soon able to turn around several shots each day.[54]
During the wedding scene, the camera pans around Pattinson and Stewart. Due to a minor wrist injury Stewart had, she was wearing a brace on the day of the shoot. Therefore, Modus was required to create a CG model of the hand and then carefully craft a rig to create natural motions. Once that was finished, every minute movement of the hand had to be matched exactly.[54] The rotational panning shot totals 300 frames and called for elaborate camera and object tracking. Modus used subsurface scattering to accurately capture the partial translucence of her skin to make it look more authentic. Pelletier explained that 'tracking was particularly challenging, because when they were shooting it, they weren't thinking about it as an effects shot. There was no camera metadata for the sequence.' The solution was to do a series of careful manual adjustments until the light sources were correctly replicated on the set.[54]
In July, Condon said that the first cut of Part 1 would be finished in a few weeks, but the visual effects were still in development.[14] Godfrey later stated that they were 'very close to locking picture on part one', and that its running time is equal to Twilight, New Moon and Eclipse, therefore approximately two hours.[14] A few weeks later, Godfrey announced that he had seen numerous cuts of the film and called it 'incredibly powerful already. …It definitely captures what the book captures.' Concerning the subject of the MPAA rating, Godfrey said that the studio does not 'have any word yet on the rating', but insisted that it is going to be rated PG-13.[14] Condon discussed the matter further saying, 'I think it's a good challenge because the thing that makes something R is literally showing it and if you give yourself that rule: I'm not gonna show, it's not going to be frontal nudity, no one wants that', and added, 'we're not going to, again, show splattering blood against the walls but it's gonna be very visceral. It actually becomes a fun challenge to make sure you feel like you have the same experience without having to watch something clinical. I think it makes it better.'[53]
Music[edit]
On January 14, 2011, it was announced that Carter Burwell, composer of the first film in the series, will be returning to score both parts of the final installment.[55] The score of Part 1 was recorded in Abbey Road Studios, London in early September. Alexandre Desplat and Howard Shore, the composers of New Moon and Eclipse, respectively, happened to be in London at the time of the recording session and stopped by to visit Burwell.[56]
The Twilight Saga: Breaking Dawn: Part 1: Original Motion Picture Soundtrack was released on November 8, 2011.[57] In July, Condon said that they are still under negotiations for the soundtrack and have 15 songs to choose from, but no deals have been signed with any artists. He also hinted that there's a good chance that the cast's musically-inclined members would feature on the soundtrack, which leaves chance to Robert Pattinson, Jackson Rathbone, Booboo Stewart, and Jamie Campbell Bower. American rock band Evanescence expressed interest in landing a song on the Breaking Dawn soundtrack. Will Hunt, the drummer of the band, said, 'I've been screaming for [new song] 'My Heart Is Broken' to land in that, because I think it would fit the story so well.' The lead singer of the band, Amy Lee, agreed, adding, 'I think that would be awesome, actually.' Also notable is the fact that the band had attempted to land songs on the soundtrack of Twilight, but Summit did not approve of the songs they presented.[58] This is the first soundtrack not to feature a song from the band Muse.
On September 22, 2011, it was confirmed that the lead single of the soundtrack is a song by American pop singer Bruno Mars called 'It Will Rain' to be released exclusively on iTunes on September 27.[59]
Marketing[edit]
Promotion[edit]
The teaser poster of Breaking Dawn was released on May 24.[60] After giving fans a sneak peek on June 2, MTV released the first official teaser trailer on June 5, the night of the MTV Movie Awards. It was released online shortly before the awards show began and then made its television debut during the broadcast.[61]
On July 21, Summit held a sold-out Comic-Con panel in Hall H, which held 6,500 fans, promoting Part 1. Condon, Stewart, Pattinson and Lautner attended the panel and answered the fans' questions along with showing them exclusive clips from the film. Cast members arrived early in the morning and signed autographs and posters for the midnight-camping fans and Summit booths offered them Breaking Dawn: Part 1 character trading cards.[62]
Breaking Dawn: Part 1 footage was screened in Empire Movie Con in the UK on August 13.[63] In addition, Alfred Angelo will host a private screening of Part 1 for forty-nine selected fans on November 15 and another screening for twenty friends two days later via sweepstakes.[64]
• Genre(s): • Web: • Release Date: • Pegi: 12 The digital download stores displayed are safe and our staff test them frequently. Save time and money: Compare CD Key Stores. Simcity 2013 product key. Activate Simcity CD Key on your Origin client to download the game and play in multiplayer.
Leaks[edit]
When the filming started on November 7, 2010 in the Lapa District and Paraty, Rio de Janeiro, Brazil, leaked set photos and footage videos surfaced online.[65]Summit Entertainment responded to the leaks by removing the photos and videos from YouTube, fansites and gossip websites. On January 13, 2011, scans of a still of Kristen Stewart and Robert Pattinson in one of their honeymoon scenes in an Entertainment Weekly article ran online, prior to the magazine's official release of the still.[66] On March 31 and April 1, 2011, a mass leak of a 14-second video and numerous low-quality stills hit the Internet resulting to enthusiastic fan reaction and speculations that the film wouldn't be able to maintain a PG-13 rating.[67]Summit Entertainment released an official statement in response to the leaks saying:
As some of you may know, pictures and screen grabs of The Twilight Saga: Breaking Dawn as a work in progress have leaked on the internet. We are extremely proud of this film and also extremely heartbroken to see it out there at this stage. The film and these images are not yet ready or in their proper context. They were illegally obtained and their early dissemination is deeply upsetting to the actors, the filmmakers and Summit who are working so hard to bring these movies to fruition to you in November 2011 and November 2012.
Please, for those who are posting, stop. And please, though the temptation is high, don't view or pass on these images. Wait for the film in its beautiful, finished entirety to thrill you.
Sincerely,
Stephenie Meyer, Bill Condon, Wyck Godfrey and Summit Entertainment.[68]
Additionally, the first teaser trailer leaked online hours before its debut at the MTV Movie Awards.[69]
Lawsuit[edit]
On August 1, 2011, Summit released a press release announcing the identification of some of the alleged people responsible for the leak of images and video from Breaking Dawn on March 31 and April 1 and the decision to take legal action. Summit claimed that the leak came from Posadas, Argentina, but due to the possibility that other people might be involved in the leak, the investigation is still ongoing. The only person Summit named was a woman called Daiana Santia, resident in Posadas, allegedly being involved in the group that stole the images and footage.[70] Civil action has been filed in the U.S. and Argentina, while criminal action has also been filed in Argentina.[70] Summit hired law firm Keats McFarland & Wilson LLP to search four continents, North America, South America, Europe and Australia, to find the other people behind the leak.[70]
On the other hand, Santia hosted a press conference in her town and denied Summit's claims. She claimed that she only saw the images 'while surfing the Internet'[71] and didn't send them to anyone. She also stated that she didn't log in anywhere to see them and denies having the technical knowledge of hacking, specifically saying that she 'in no way be considered a 'hacker' because [she] has no computer skills other than simple user level'.[72] Her attorney confirmed that Santia and her family are considering a counterclaim against Summit due to defamation of character and continual harassment by the film's producers who kept requesting that she would let them check her computer to see if she still has the images on her hard disk, although she refused more than once claiming that she is innocent and her computer contains personal items. Her attorney called the situation 'a harm to privacy and personal right'.[72]
Summit's official response to the press conference said, 'First and most important this is NOT about greed or the Studio wanting to bully a woman from a small town in Argentina—rather, it is about stolen material that is private and sensitive which was obtained by illegally accessing private/secure servers as well as personal email accounts.' Summit gave details about the case stating that the studio has been in contact with Santia since May 2011, but 'with no resolution or further good faith efforts on their part, thus the only alternative left was to pursue legal action to ascertain that Ms. Santia no longer holds the images and video in any shape or form'.[73]In the response, Summit announced the following claims:
Specifically on June 8, 2011, Ms. Santia confessed in the presence of her attorney that she accessed servers and email accounts via a systematic attack—stealing photographs, unfinished images and video footage over several months. Additionally there is indisputable evidence linking her directly to IP addresses that were used in the unauthorized access. Her actions appear to be premeditated and not done on a whim, but rather using technology and tactics that require thought as well as time and skill. Because Ms. Santia decided that she does not want to cooperate, Summit has been unable to settle this matter privately with Ms. Santia and her representatives in Argentina.[73]
Home media[edit]
According to the entertainment site MovieWeb, the DVD and Blu-ray Disc for Part 1 was made available to purchase on February 11, 2012. Both editions include bonus features such as Bella and Edward's wedding video, fast-forwarding to favorite scenes, audio commentary with director Bill Condon, and a 6-part 'Making Of' documentary.[74] The film was released on DVD and Blu-ray by Universal Studios.[75] In North American DVD sales, Part 1 has currently grossed $94,845,346 and has sold more than 5,234,876 units.[76]
An 'extended version' was released on March 2, 2013; this version features an additional seven minutes of footage, making the film 124 minutes, including eight additional scenes, two missing scenes, and three alternate scenes.[77]
Reception[edit]
Box office[edit]
The Twilight Saga: Breaking Dawn – Part 1 grossed $281,287,133 in North America and $430,884,723 in other countries, bringing its worldwide total to $712,171,856.[2] It earned a franchise-best $291.0 million on its worldwide opening weekend, marking the tenth-largest worldwide opening of all time.[78][79] It reached $500 million worldwide in 12 days, a record time for the franchise.[80] It ranks as the fourth-highest-grossing film of 2011 worldwide and the second-highest-grossing film of the franchise.[81] The film is also currently the fiftieth-highest-grossing film of all time.
North America[edit]
Breaking Dawn – Part 1 (which opened on November 18, 2011 in 4,061 theaters) was projected to reap at least $140 million in its opening weekend.[82] The film earned $30.25 million in midnight showings, which was the second-highest midnight gross ever, at the time, behind Harry Potter and the Deathly Hallows – Part 2 ($43.5 million) as well as the highest midnight gross of the franchise, until it was surpassed by The Twilight Saga: Breaking Dawn - Part 2's gross of $30.4 million.[83] On its opening day, the movie topped the box office with $71.6 million (including midnight showings), which is the fifth-highest opening[84] and single-day[85] gross of all time.[86] On its opening weekend, Breaking Dawn – Part 1 claimed first place with $138.1 million, which was the second-highest opening weekend of the film series, at the time, behind New Moon ($142.8 million),[87] as well as the fourth-highest November opening ever behind The Hunger Games: Catching Fire, New Moon, and Breaking Dawn – Part 2.[88] It is also the tenth-highest opening weekend of all time.[89] The movie also had the second-best opening weekend of 2011 in North America behind Harry Potter and the Deathly Hallows – Part 2 ($169.2 million).[90]
It retained first place on its second three-day weekend, declining 70% to $41.9 million, and earned $61.8 million over the five-day Thanksgiving weekend.[91]Breaking Dawn – Part 1 remained No. 1 for a third weekend, marking the best third-weekend gross for a Twilight film ($16.5 million)[92] and the second film of 2011 to top the weekend box office three times, along with The Help.[93] Closing on February 23, 2012, with $281.3 miilion, it is the third-highest-grossing movie of 2011.[94] It is also the fourth-highest-grossing film in the series, only ahead of the first film ($192.8 million).[81]
Markets outside North America[edit]
The film earned $8.9 million in its first two days from five markets.[95][96] By the end of its first weekend, it earned $152.9 million at about 9,950 locations in 54 markets, which was a new franchise high. Its biggest debut was in the United Kingdom, Ireland, and Malta with £13,910,877 ($22.0 million), which was a new high for the series. It was also huge in many European and Latin American countries.[78][97] It remained in first place at the box office outside North America for three consecutive weekends.[98][99] With $423.8 million, it is the highest-grossing film of the franchise[100] and the sixth-highest-grossing film of 2011.[101] Its highest-grossing region after North America is the UK, Ireland, and Malta ($48.8 million), followed by Brazil ($35.0 million) and Germany ($33.1 million).[102]
Critical response[edit]
Breaking Dawn – Part 1 received generally negative reviews from critics. Review aggregation website Rotten Tomatoes reports that 25% of critics (of the 203 counted reviews) gave the film a positive review with an average rating of 4.36/10, and the site's consensus reads, 'Slow, joyless, and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise.'[103] The review site Metacritic gave the film a 45 out of 100, based on reviews from 36 critics.[104] It is the lowest-rated installment in the franchise, which was previously New Moon. Audiences polled by CinemaScore gave the film a 'B+' grade, the audience was 80% female and 60% over 21 years old. Among females only the film received an improved 'A-' grade.[87]
Justin Chang of Variety gave the film a negative review, calling the film 'disappointing'.[105] Todd McCarthy of The Hollywood Reporter also gave the film a negative review, calling Part 1 'bloated'.[106] Brent Simon of Screen International called the film 'soapy and melodramatic'.[107]Peter Bradshaw of The Guardian gave the film one star out of a possible five, and referred to it as the next stage of an 'emo-operetta' that 'sweeps us away on a new riptide of mawkish euphoria'.[108]Roger Ebert of the Chicago Sun-Times gave the film two-and-a-half stars, saying that it is filled with a lot of unanswered questions, but calling Stewart's portrayal of Bella 'pretty good'.[109] The television show Film 2011's Claudia Winkleman gave the film a negative review, calling it 'hilarious'.[110] Writing for Rolling Stone, Peter Travers said Breaking Dawn – Part 1 is 'the worst Twilight movie yet' and thought Taylor Lautner looked like a 'petulant five-year-old'.[111] Mary Pols of Time magazine named it one of the Top 10 Worst Movies of 2011, saying 'this entry, which held within it the teasing promise of explosive consummation, instead delivered soap-opera-level dry humping in high-thread-count sheets', and concluded, 'This was the bloodiest of the Twilight movies but somehow the most bloodless.'[112]
Conversely, Gabriel Chong of 'Movie Exclusive' gave the film four stars out of a possible five, praising the dialogue, wedding and action scenes, and particularly Condon's direction, stating, 'In the hands of a lesser director, the turn of events could very well descend into farce—thankfully then, this movie has found a masterful helmsman in Condon.' He went on to praise Stewart's performance, calling it 'mesmerising' and saying that she 'makes [Bella's] every emotion keenly felt that runs the gamut from joy, trepidation, anxiety, distress and above all quiet and resolute determination.'[113] Mark Adams of Daily Mirror also gave the film four stars out of five and said, 'The Twilight films manage to cleverly blend melodrama with supernatural thrills, and while the film is not without its silly moments and cringeworthy dialogue it does deliver the drama and emotional highs we have come to expect'. He also praised the wedding, describing it as 'beautifully staged', and Stewart's performance.[114] Other positive reviewers from The New York Times and Philadelphia Inquirer said the dialogue was improving and the whole movie played out with style, while being faithful to the book and servicing hardcore fans.[115][116] MSN Entertainment critic Alaina O'Connor gave Condon some praise for bringing 'a certain visual elegance that helps with some of the more-absurd elements of the story.' O'Connor also felt that the film did a good job of 'examining the relationship between Edward and Bella', but felt that the narrative was weak otherwise.[117] The film was also ranked the tenth best film of 2011 by E!.[118]Will Brooker, writing for Times Higher Education, makes the case that Breaking Dawn has a feminist element, stating that it 'reverse(s) the embedded cinematic conventions of male voyeur and female-as-spectacle', and that 'the lack of attention to (Bella) as sex object is remarkable.'[119]
The film also drew both criticism and praise for having what was seen as a pro-life theme. Natalie Wilson, writing for the Ms. magazine blog, described what she saw as the book's 'latent anti-abortion message' as 'problematic from a feminist perspective' and found this element 'heightened, not diminished, in the film', citing scenes in which Rosalie scolds Alice for using the word 'fetus'.[120] Richard Lawson of The Atlantic said that Bella's pregnancy 'serves as the narrative dais from which Meyer, and in complicity Condon and the screenwriter Melissa Rosenberg, delivers a startlingly direct and uncovered anti-abortion sermon', adding 'it seems there was no escaping the firmly anti-choice themes of this leg of the story, and so we must sit and grumble while sickly Bella is scored by plaintive strings as she chooses the one true moral path'.[121] Neil Morris of Independent Weekly said that the film 'takes up a radically pro-life mantle when Bella refuses to abort her baby, even though her life may depend on it'.[122] Sandie Angulo Chen of Moviefone described the 'bulk' of the film as 'one long pro-life debate', in which 'Bella says it's her body, her choice (terms usually used in the pro-choice movement), but her decision is pro-life to the extreme, because the baby can and will kill her'.[123] In contrast, John Mulderig of the Catholic News Service praised the 'strongly pro-life message being conveyed via Bella's unusual plight', saying it 'presents a welcome counterpoint to the all-too-frequent motif in popular entertainment whereby pregnancy is presented as a form of disease or an almost unbearable curse'.[124]
In an interview with Screen Rant, screenwriter Rosenberg addressed the perception of a pro-life message in the film, stating, 'If I could not find my way into it that didn't violate my beliefs (because I am extremely pro-choice very outspoken about it, very much a feminist) I would not have written this move [sic]. They could have offered me the bank and I still wouldn't have. In order to embrace it I had to find a way to deal with it. I also had no interest in violating Stephenie's belief system or anyone on the other side'.[125]
Watch khichdi episodes online. On February 25, Breaking Dawn – Part 1 was nominated for eight Razzie Awards, including: Worst Picture; Worst Prequel, Remake, Rip-Off or Sequel; Worst Screen Ensemble; Worst Director (for Bill Condon); Worst Screenplay; Worst Actor (for Taylor Lautner), and Worst Actress (for Kristen Stewart). The Worst Screen Couple award for Kristen Stewart with either Taylor Lautner or Robert Pattinson was also included. The film lost all categories to Jack and Jill.[126]
Health issues[edit]
A week following the film's release, incidents began occurring of the birthing scene having triggered epileptic seizures in moviegoers. The visual effects during the scene involves several pulsating red, white, and black flashing lights, which creates an effect similar to a strobe light. Reports of such photosensitive seizures have been reported in Sacramento, California, and Salt Lake City, Utah. The incidents have become more widespread as news of the incidents began to flood several news sites, making people aware that health issues that attendees were experiencing might have been caused by the scene.[127][128] Famed comic book artist Jim Leetweeted that he and his family had to leave a screening of the film after 'our 11 year old son literally threw up during the birthing scene.'[129] The people who have experienced seizures during the film are reportedly 'perfectly healthy people'.[130]
See also[edit]
References[edit]
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External links[edit]
Wikiquote has quotations related to: The Twilight Saga: Breaking Dawn – Part 1 |
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